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General Discussion / yeah
« on: January 27, 2004, 12:04:00 AM »
check it out. the spog is finally goin to reach 100 posts without changing identities. can u believe it pepole the gateway cursr is nearly gone
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as a producer i am willing to take any challenge. if there is anyone out there with a sample 4 they feel i cannot make anything out of(it has to be a reasonable sample, i dont care what it is. as long as it is reasonable) preferably under 1 meg(time is money).
i will e-mail the product back to that person once i finsh with the sample and they can judge. plus i will e-mail a sample to you in return n maybe we can keep the inspiration flowing aight.
If you down it is SpogOne@hotmail.com or jahoptik@yahoo.com
i will e-mail the product back to that person once i finsh with the sample and they can judge. plus i will e-mail a sample to you in return n maybe we can keep the inspiration flowing aight.
If you down it is SpogOne@hotmail.com or jahoptik@yahoo.com
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Producers - Discussion / fruityloops 101
« on: January 20, 2004, 12:06:00 AM »
cla** is in session
so a**es pay attention
if you have fruityloops 3, spog is the gee wit the pea ta squeeze. saditty? Milk probably doesnt even know how to use it (i saw you tutorials, malkak[thats supposed to be crazy shit])
The truth is, nobody does. i betch you even its creator is still baffled by its incredible possibilities. so do what i did. f*** wit it. if nuttin good comes out, its probably coz you still using those lame a** muddaf***in samples provided in the program. b i kno there r fellow member who have used this program n agree wit me. f*** wit it ya damn self aint nobody giving nobody free rides. you see if it was something that needed to be taught to peeps e.g. cubase then id understand, but if you need help wit fruityloops(its mor like a game to me than a program) then your wasting your f***ing time. go back to muddaf***ing hammerheafd.
wadatah
8-)
so a**es pay attention
if you have fruityloops 3, spog is the gee wit the pea ta squeeze. saditty? Milk probably doesnt even know how to use it (i saw you tutorials, malkak[thats supposed to be crazy shit])
The truth is, nobody does. i betch you even its creator is still baffled by its incredible possibilities. so do what i did. f*** wit it. if nuttin good comes out, its probably coz you still using those lame a** muddaf***in samples provided in the program. b i kno there r fellow member who have used this program n agree wit me. f*** wit it ya damn self aint nobody giving nobody free rides. you see if it was something that needed to be taught to peeps e.g. cubase then id understand, but if you need help wit fruityloops(its mor like a game to me than a program) then your wasting your f***ing time. go back to muddaf***ing hammerheafd.
wadatah
8-)
4
today i was dissapointed bout the state of mzantsi hip hop. its like cats fear to innovate. everybody is trying to get a piece of the pie so much they forget to bake it.
instead of strivin to get an mzantsi sound (props to kwabulawayo kraal 4 executing that perfectly), style industry 4 that matter. we think that if we get plugged into the yank scene by re-enacting their antics, we will be welcomed with open arms. unfortunately nobody is looking for a coon version of pharell, jigga or any other pop rapper/producer that has built a name for themselves with pure originality. lets 4get this american dream an give birth to the mzantsi reality. that goes for all forms of music. e.g. afro-jazz is considered music globally not just here, y coz it has a unique african flava. props to all the pioneers/innovators and f*** u to all the regurgetators, i dont give a f*** wat laguage you speak.
instead of strivin to get an mzantsi sound (props to kwabulawayo kraal 4 executing that perfectly), style industry 4 that matter. we think that if we get plugged into the yank scene by re-enacting their antics, we will be welcomed with open arms. unfortunately nobody is looking for a coon version of pharell, jigga or any other pop rapper/producer that has built a name for themselves with pure originality. lets 4get this american dream an give birth to the mzantsi reality. that goes for all forms of music. e.g. afro-jazz is considered music globally not just here, y coz it has a unique african flava. props to all the pioneers/innovators and f*** u to all the regurgetators, i dont give a f*** wat laguage you speak.
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General Discussion / sole
« on: December 12, 2003, 12:47:00 AM »
isnt she a fine bitch.
No really, i jus got my grubby hands on selling live water from the "anticoniclast catalyst for cataclysm " and i thought it was fat. especially comparing it to the recent defjux release aesop rocks - bazooka tooth.
Its a very dark and pesonal album and i thought it was a breathe of fresh air considering that the mainstream has somehow found its way into the hearts of the most rugged of backpackers e.g. rawkus.
peeps drop your views on it
No really, i jus got my grubby hands on selling live water from the "anticoniclast catalyst for cataclysm " and i thought it was fat. especially comparing it to the recent defjux release aesop rocks - bazooka tooth.
Its a very dark and pesonal album and i thought it was a breathe of fresh air considering that the mainstream has somehow found its way into the hearts of the most rugged of backpackers e.g. rawkus.
peeps drop your views on it
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General Discussion / aesop rock - bazooka tooth
« on: November 21, 2003, 01:34:00 PM »
i got it the other day and im finding it hard to listen to. the beats are lacking heavily, but the lyricits are still dope. once agian the jukies embarked on an innovative tip but its not that raw production ur accustomed to. it somewhat bubblegum wit a lil sense of rebellion tho.
my fav verse however is el-p on were famous
[El-P]
I brought that genuine shit in ´96
Before you knew the underground or independent existed
I watched the whole scene straight jump on the dick
After stepping to KCR lit and flexing my shit
No gun talk, no gimmicks, just rounds of raw-dogging
Dirty dusty intelligent wit and word murdering
A hardcore poetic informed without burglary
Potent and shook the shit out of rappers who just learned of me
Everytime I prescribe a new pill, revolution
Quickly defined the standard for indie rap distribution
Arrogant unafraid shit developed riding a train thinking of brain f***s
"Bad Touch Example" that soon became bucks
Had everybody sprung wondering where I came from
Screaming out "Independent´s f***ed with" in the same tongue
With an indelible squad of design monsters
Innovating the styles that made biters look like imposters
So we scripted an album and signed to Rawkus
Selling a hundred thousand without a radio chart hit
Imposterous son is taking the world hostage
Cla**ic hip-hop bombage dirty with style progress
Now I´ve come from the ´80s juvenile Brooklyn
Where cats was like: "Gimme that subway pa**, kid. Good lookin."
Now someone else is taking a ride with what´s mine
So I had to develop styles with a death device cooked in
So when I battled in basements I had eight sentences
Waiting way before the four you had laced in
And I was taught to wait patient (Why?)
Only faggots make shit up just to get famous
So when I finally blew up I remained sick
Earning respect in ghettos and ´burbs for word placement
Back when the independent scene remained faceless
We were the only crew who promised your a** we´d take it
Mold it, shape it, living outside the matrix
Hold it, make it, more than miniature major labels
Hold it sacred, living it for the culture
Told ya plainly, protected it from the vultures
That´s why I always get respect from true soldiers
While half of the critics claim it every year: "Hip hop´s over."
f*** YOU, hip hop just started
It´s funny how the most nostalgic cats are the ones who were never part of it
But true veterans´ll give dap to those who started it
Then humbly move the f*** on and come with that new retarded shit
New slang, new thought, new sound, new part you thought you had
You clown, you don´t, you drown
I won´t dumb it down, I´m dumbing now for these rounds
I´m a live mothef***er plus I´m gunning for clowns
You´re mine motherf***er, don´t be coming for pounds
So you can break out of that invisible box, you´re not down
My favorite ones are the ones who started that young rap about
Comic books, spaceships, and Obi-Quan one
And even though they were soft they had fun
But they couldn´t break out the frame of the town they came from
Some of these faggots used to send me their demos
I´m keeping their puppy styles in the Company Flow kennels
But since they had no identity from the start
They started to resent the scene when they couldn´t become a part
They´ve been failing for years and call themselves Vets, that´s bold
Motherf***er, you´re not a Vet you´re just old
I´ll slap the shit out of you to continue my nerve racket
Making this money fist over fist, f*** what you heard
Jukie cats talk about boom bap and golden ages
Patting themselves on the back for making that new outdated shit
I´ve been putting out vinyl since ´93 and never looked back once
And ya´ll trying to chase me
You don´t innovate because you can´t innovate
It´s not a choice despite what you might tell your boys
Keep your identity crisis under the table
I always knew who I was and I´ll always be more famous
even tho its not el-dashs usual style its still dope. I hope this album does become a cla**ic coz i tend to have a refined ear and never really listen once ive been dissapointed eg talib kweli. so yeah i hope im the ONLY ONE whos not enjoying this album.
my fav verse however is el-p on were famous
[El-P]
I brought that genuine shit in ´96
Before you knew the underground or independent existed
I watched the whole scene straight jump on the dick
After stepping to KCR lit and flexing my shit
No gun talk, no gimmicks, just rounds of raw-dogging
Dirty dusty intelligent wit and word murdering
A hardcore poetic informed without burglary
Potent and shook the shit out of rappers who just learned of me
Everytime I prescribe a new pill, revolution
Quickly defined the standard for indie rap distribution
Arrogant unafraid shit developed riding a train thinking of brain f***s
"Bad Touch Example" that soon became bucks
Had everybody sprung wondering where I came from
Screaming out "Independent´s f***ed with" in the same tongue
With an indelible squad of design monsters
Innovating the styles that made biters look like imposters
So we scripted an album and signed to Rawkus
Selling a hundred thousand without a radio chart hit
Imposterous son is taking the world hostage
Cla**ic hip-hop bombage dirty with style progress
Now I´ve come from the ´80s juvenile Brooklyn
Where cats was like: "Gimme that subway pa**, kid. Good lookin."
Now someone else is taking a ride with what´s mine
So I had to develop styles with a death device cooked in
So when I battled in basements I had eight sentences
Waiting way before the four you had laced in
And I was taught to wait patient (Why?)
Only faggots make shit up just to get famous
So when I finally blew up I remained sick
Earning respect in ghettos and ´burbs for word placement
Back when the independent scene remained faceless
We were the only crew who promised your a** we´d take it
Mold it, shape it, living outside the matrix
Hold it, make it, more than miniature major labels
Hold it sacred, living it for the culture
Told ya plainly, protected it from the vultures
That´s why I always get respect from true soldiers
While half of the critics claim it every year: "Hip hop´s over."
f*** YOU, hip hop just started
It´s funny how the most nostalgic cats are the ones who were never part of it
But true veterans´ll give dap to those who started it
Then humbly move the f*** on and come with that new retarded shit
New slang, new thought, new sound, new part you thought you had
You clown, you don´t, you drown
I won´t dumb it down, I´m dumbing now for these rounds
I´m a live mothef***er plus I´m gunning for clowns
You´re mine motherf***er, don´t be coming for pounds
So you can break out of that invisible box, you´re not down
My favorite ones are the ones who started that young rap about
Comic books, spaceships, and Obi-Quan one
And even though they were soft they had fun
But they couldn´t break out the frame of the town they came from
Some of these faggots used to send me their demos
I´m keeping their puppy styles in the Company Flow kennels
But since they had no identity from the start
They started to resent the scene when they couldn´t become a part
They´ve been failing for years and call themselves Vets, that´s bold
Motherf***er, you´re not a Vet you´re just old
I´ll slap the shit out of you to continue my nerve racket
Making this money fist over fist, f*** what you heard
Jukie cats talk about boom bap and golden ages
Patting themselves on the back for making that new outdated shit
I´ve been putting out vinyl since ´93 and never looked back once
And ya´ll trying to chase me
You don´t innovate because you can´t innovate
It´s not a choice despite what you might tell your boys
Keep your identity crisis under the table
I always knew who I was and I´ll always be more famous
even tho its not el-dashs usual style its still dope. I hope this album does become a cla**ic coz i tend to have a refined ear and never really listen once ive been dissapointed eg talib kweli. so yeah i hope im the ONLY ONE whos not enjoying this album.
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General Discussion / Confusion
« on: November 10, 2003, 11:59:00 PM »
Spog has always had problems with women. they often call him too nice r deep or any other bullshit they can suck outta their fangs.
So since my last experience wit a girlfriend ive decided to stay away from relationships. So i hook up wit this fine hunny ive known 4 a while but havent spoken to in a year a so a few weeks ago, jus as friends(NO SEX NO INTAMACY JUS THE OCCASIONAL FRIENDLY FLIRT ONCE INA WHILE).
So fine she calls me to hook up, im like yeah quickie quickie quickie etc. but nundat she wants to talk about her man and aight im the listener and shoulder 2 cry on and etc. etc. until she told me shes single.
So since ive been calling her my "HOreo"(she coloured) and shit like that(dunno how she can find that shit romantic) and shes my "most thouroughest gangsta bitch" for about a week or two. Then she decides f*** this nigga and his problems, imma lay it on him.
:-o SHE TOLD ME THAT SHE L***S(I DO NOT REGISTER WELL WITH PROFANITY) ME :-o
:-| NOW IM CONFUSED, I DIDNT EVEN LAY ON MY GAME, SHE MADE IT A POINT TO CONTACT ME AFTER A YEAR, I DIDNT TELL HER SHIT ABOUT HOW I FEEL ABOUT HER AND IF SHE KNEW SHE WOULDA PROBABLY SAY IM A NICE GUY BUT REMIND HER 2 MUCH OF HER POPS.
NOW SHE COMES AT ME WITH DEVILMOTIONS, MUST I BE WEARY OR CHEERY?
THATS WHAT IM SAYING
:-Y :-Y :-Y :-Y
So since my last experience wit a girlfriend ive decided to stay away from relationships. So i hook up wit this fine hunny ive known 4 a while but havent spoken to in a year a so a few weeks ago, jus as friends(NO SEX NO INTAMACY JUS THE OCCASIONAL FRIENDLY FLIRT ONCE INA WHILE).
So fine she calls me to hook up, im like yeah quickie quickie quickie etc. but nundat she wants to talk about her man and aight im the listener and shoulder 2 cry on and etc. etc. until she told me shes single.
So since ive been calling her my "HOreo"(she coloured) and shit like that(dunno how she can find that shit romantic) and shes my "most thouroughest gangsta bitch" for about a week or two. Then she decides f*** this nigga and his problems, imma lay it on him.
:-o SHE TOLD ME THAT SHE L***S(I DO NOT REGISTER WELL WITH PROFANITY) ME :-o
:-| NOW IM CONFUSED, I DIDNT EVEN LAY ON MY GAME, SHE MADE IT A POINT TO CONTACT ME AFTER A YEAR, I DIDNT TELL HER SHIT ABOUT HOW I FEEL ABOUT HER AND IF SHE KNEW SHE WOULDA PROBABLY SAY IM A NICE GUY BUT REMIND HER 2 MUCH OF HER POPS.
NOW SHE COMES AT ME WITH DEVILMOTIONS, MUST I BE WEARY OR CHEERY?
THATS WHAT IM SAYING
:-Y :-Y :-Y :-Y
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General Discussion / The Matrix
« on: November 07, 2003, 12:26:00 AM »
SpogOne took a trip to tha 4ways mall and got invited by an ol friend who i used to bang in grade 1 (now she has bigg tits) to watch the movie. So now that women are independant i jus walked in had my coke and pop corn and figgad imma shove my fingers in her lovage if the movie gets boring but nunadat.
I was sucked in and 4got about that fine pussy next to me thus sparing myself the sterilization process of getting that fish smell outta my hands.
So watch the movie if you wanna get rid of a fine bitch who doesnt require your attention at all.
5 backpacks outta 5
trust the spog
he knows such things
8-) SPOG SIGNIN OUT FOR THE 06-11-03 8-)
I was sucked in and 4got about that fine pussy next to me thus sparing myself the sterilization process of getting that fish smell outta my hands.
So watch the movie if you wanna get rid of a fine bitch who doesnt require your attention at all.
5 backpacks outta 5
trust the spog
he knows such things
8-) SPOG SIGNIN OUT FOR THE 06-11-03 8-)
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General Discussion / Dream Team
« on: October 31, 2003, 12:40:00 AM »
If you were to put ant two producers in the same studio at the same time on the same ablum and tracks, who would it b?
Spog wud definatley like 2 c the Neptunes and El-P, imagin the mess thatll come outta there, heads wu definantely bug to that, whether u backpack or "polly in the cut like what"
Moby and Madlib wud also b sick huh.
Premier and dj krush wud b cla**ic.
jus imagine that shit peeps
SpogOne ;-)
Spog wud definatley like 2 c the Neptunes and El-P, imagin the mess thatll come outta there, heads wu definantely bug to that, whether u backpack or "polly in the cut like what"
Moby and Madlib wud also b sick huh.
Premier and dj krush wud b cla**ic.
jus imagine that shit peeps
SpogOne ;-)
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