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Messages - Gemini aka Gembot

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1
I find that when I'm kicking it with other beatmakers and we discuss Producers like DJ Premier or The RZA or Dr. Dre or which ever hardcore hiphop producer worth their shit, the haters always critisize them for looping a hot peice from an older song and rhyme over it as is. Now I've always had an attitude like, "Who cares if something is dope its dope whether or not I recognise the loop, thats all that matters the dopeness." I've heard Puffy and Dr. Dre loop Ryo Kawasaki's "Bamboo Child" and both of them did marvelous things with it. They sample the same place and their respective end products aren't that different from each other. I mean hey its a killer loop. Now don't get me wrong, I commend producers when they can give a fresh approach to sampling as DJ Premier did with Galt McDermont's "Coffee" sample for "Werdz From A Ghetto Child" but does that mean I must hate Automator and Prince Paul for sampling it as is? I mean its a really phat loop. Their song, "The Truth" was phat and you know what when I discovered that they actually just looped the first couple of seconds I didn't give a f***. It was still a phat beat. So know who actually really gives a f*** how hard a producer worked on a track if the shit don't hit? And why should it bear merit if the end product is solid?

2
Underground niggas seem to be stuck in this early 90's East Coast state of mind. To a point where they go to websites like Kevin Nottingham to get original sample set compilations of their favouirite rap records. They still dig or rather download obscure records from the 60's and 70's (wow thats flexing your creativity..)and loop their favourite bits in exactly the same way its been done for the past 20 years now since Marley Marl and Ther Bomb Squad started the trend. Commercial niggas think that by biting the sound thats hot (which is now crunk)they're gonna be just as rich and as acclaimed despite not even knowing what College Park, South West Atlanta or New Orleans looks like let alone how they get down. Y'all niggas need to get a clue and really start flexing your creative muscles coz the shit still sounds second rate to your favourite artists. Be original and think outside the box, you have the potential you're just not using it right. I've heard cats make beats that sound just as hot as Pete Rock, DJ Premier and Dilla in SA but they also sound like them too, so c'mon Man up and grow some creative balls.

3
Gzuz Kryst will you niggaz ever get over the 90's? David Axelrod has been done to death by everyone from Diamond D to Dr. Dre back to No. ID. I won't even go into the other records. Hip hop really is dead. The comercial niggaz are candy floss pussies, the underground niggas are stuck in a cyclic redundency swimming in a pool of obscure records form the 50's 60's & 70's trying to recapture the magic A Tribe Called Quest, DITC, Mobb Deep and other east coast acts that were hot 15 years ago. Hip hop desperate for a new sound and you niggas wanna remake your favorite beats?...Get a clue

4
I recently saw some replies on a few threads where they said Dr Dre doesn't actually produce his own beats and that he jacks from other producers. Now I've heard past collaborators like Snoop tell reporters that shit is simply not true. He stated that while a producer might come up to Dr Dre with a beat or a loop. The end result of what Dr. Dre does with it constitutes it as his production because it sounds completely different from what the collaborator handed him. He later added that there's a difference between a beat maker and a producer. Now a "producer" in music industry terms is the equivelent of a Motion picture director. In a song he is responsibe for the end result. He organises the musicians who will translate the composer's music, the singer who will translate the author's lyrics and put that all together to make the end result...the song. Now in hip-hop, because the song's vibe and feel is entirely dependent on the musical composition set before it, the composer of the musical piece is therefor the producer and co-writer.

Now alot of producers hailed as all time greats like The RZA, DJ Premier and J Dilla have all got beats that are made up of a loop they found on a "rare" jazz, rock, soul or blues record. Most times they simply take a loop they find and put a drumloop over it and call it their own. When Puffy and his Hitmen along with Jermaine Dupre and Track Masters followed the same formula, using familiar hit records and looping them for their artists to rap over, they were accused of beat jacking.

I've heard some of the original compositions vs. Dr Dre's final cuts through various mixtapes and they do sound completely different in sound and feel. Melodically they have similarities but over all, the sound and feel are totally different. I've also heard the producers who Dr. Dre has collaborated with outside of his sphere of influence and their beats don't sound nearly as good or as refined as his end product.
Dr. Dre has been consistent and thorough through out his career and has continued to re-write the book on hip-hop production. N.W.A's Straight Outta Compton, Efil4Zaggin, DOC's No One Can Do It Better, Above The Law's Livin' Like Hustlers, The Chronic, Doggystyle, 2001, and recently Relapse are all examples of stellar production sensiblities.
On The Chronic and Doggystyle producer/ rapper Daz has accused Dr Dre for taking credit for taking two of his beats. "Rata-tat-ta" off the Chronic, for which he was credited only for the drum programming. Also for, "Ain't No Fun" off of Doggystyle for which he was not credited for any contribution. Now you may also note that close collaborators like Scott Storch, Mel-Man and Chris Taylor all who have worked closely with Dr Dre, sated in past interviews that Dr Dre merely directs them towards grooves, riffs and melodies by either jamming with them and locating loops through 'spotting' or by using samples and replaying them into the final beat.

So my question is in hip-hop is there a difference between a producer and a beat maker? and where do we draw the line because on one end, a beat maker cannot be there to over see his songs for every artist who requests his compositions so does that mean the author is then the producer? But on the other end, too many beat makers give out beats with little regard for the end product. And as far as using loops goes where and when does it go from jacking into sampling? Also if I by a beat from someone and they have little or no contribution to the end result of the song aside from the beat, does he get production credits along with his composer's credits or do I get production credits? Lets say I do a R&B song over a beat that was intended to be a hiphop song? what then?

5
Producers - Discussion / Best Producer ever
« on: January 22, 2010, 03:19:20 PM »
I'm sure this post has been done before but I can't seem to find it sooo....Given the last ten years and change of tides pertaining to what real hip-hop is considered to be. Who would you say is the greatest producer who ever did it and why. You must facor in creative identity and influence...Infact f*** it no rules, just tell me who and why? I'd like to know from the producers/ beatmakers only though. I wanna see what drives S.A's beat pulse on a universal level.

I'd really have to go with Dr. Dre
For me he always made drums and melodies I respond to without trying consistently. For me he knows what a phat beat sounds like and he knows which elements to pump into a beat. His drum are awesome and his melodies can be magical. I've always dug beats with an element of danger in them, you know like something crazy is about to go down and delivered that shit in spades for me. Premo would come in a close second.

6
I still find new shit on James Brown's album...don't sleep on those bad boys

7
Hot Traxxx / Re: Robo the Technician - Hipgnostiks (video)
« on: January 13, 2010, 12:36:05 PM »
Heard some joints from the Witchcraft and they're dope. The production is gonna surprise alot of you

8
Hip Hop Events / Re: Canibus coming to SA!
« on: January 12, 2010, 03:31:00 PM »
We use the term dikrider, because this hread combined with the album cover one = you with a cowboy hat on, riding the boy's cock till his foreskin falls off by itself.

This coming from a guys whose profile picture looks like the top of a penis. Get a clue buddy.

I guess I'm a dick rider then. But I can't help it yo, its Canibus nigga. Can I Bus. The single greatest event in lyrical history. His verse on "Beast From The East" is the greatest verse ever. His flow is like water to chocolate and he's just so god damn cute..OMG Canibus is the ultimate guy...ever. Did you hear Can I Bus? Cla**ic..2000 B.C (the B.C stands for Before Canibus) even better. Man I won't even get into what Mic Club did for lyricism, he rewrote the game with that one. Its like he's flawless and can never fall off. Canibus is who I wanna be like when I grow up. Plus the new cover WOW! look out Leonard Da Vinci. Sometimes I wish I was Canibus coz I think he's like so friggin awesome. Oh my gawd I can't wait to meet him. On second thought I'd like to hear what you guys spit or record to design to have such harsh critisms about the poor bastard. I'll bet none of you can even get with in an inch of Canibus' rhymes. Y'all need to get laid seriously. Get a clue boys.

9
Hip Hop Events / Re: Canibus coming to SA!
« on: January 12, 2010, 02:28:11 PM »
how can one plug his two cents without it turning into a potential arguement or a insult hurling thing. seriously are you guys always like this? its scary, i hope y'all ain't like this with your girls. So giving someone his due is dick riding nowadays huh? you guys are funny...style that is. I'll refrain from giving anymore props to a rapper I happen to admire...ooops I'm doing it again.

10
Hip Hop Events / Re: Canibus coming to SA!
« on: January 12, 2010, 01:06:43 PM »
Yo guys have got serious issues man. Dick riding by showing my excitement for an artist I respect? Grow up gentlemen you miss use terms in ways that would make them cringe. Unless you're saying you can step to Canibus and wax him line for line, give it up
Despite his short comings, I have respect for Canibus. Second Round KO brought back battle raps in a big way after the whole 2pac and Biggie thing. His pre album guest verses shocked everybody at the time and his radio appearence freestyle were the stuff of legends. Especially his Wake Up Show guest spots.

11
General Discussion / Re: Bad cover Canibus
« on: January 12, 2010, 12:56:36 PM »
ANYONE WHO SEES THAT COVER AND THINKS IT RESEMBLES ANY OF THE OTHER PICS YOU JUST POSTED, IN ANY WAY, SHOULD REALLY GO SEE AN OPTOMETRIST.

Seriously brehfag? Seriously?

By the way I was giving you examples of where the artist might have drawn inspiration from coz I could tell just by looking at the cover that he was inspired by the artist of the 3 pics I posted. the first one in particular. Which was why i kept streesing and keep stressing my no argument policy coz I can see the similarities. If he copied it directly it would be called 'swiping' - the process by which one comic book artist takes a picture from another comic book artist and uses it in his work.

Its generally frowned upon so the artist had to remove himself from their inspired images as much as possible.

examples of swiping:

This one of Roger cruz swiping Joe Madureira around 1994


Despite the differences its actually the exact same picture.

Here's one by swipe master Rob Liefeld around 1990 one of Cable's first appearences and Wolverine in his old costume.


Same difference.

We comic book heads have an eye for this sort of thing so we can always tell no matter how suttle where an artist gets his shit from.



12
General Discussion / Re: Bad cover Canibus
« on: January 11, 2010, 11:45:25 PM »
Okay, let's start with the font used.

Even a first year design student will tell you that you don't use a black typeface on a black background, even if you are gonna use a cheesy photoshop drop glow around it. In fact, one should never use the glow feature in photoshop for anything. Ever. (I remember telling child the same thing when he thought he was a designer).

Besides being barely legible, that font is ugly as f*** and doesn't go with any of the other elements.

Secondly, the shattered gla** effect looks like it was done by a total photoshop amateur. I haven't touched my photoshop for anything but doing x-rays in more than a year, but even I could have done that better.

Third, the designer obviously has no clue of the concept of focal points. The chains seem to come out of nowhere and don't connect to anything else in the design.

The purple and red mist doesn't fit in anywhere either. In fact, none of the elements combine with anything else, which makes it look like a piece of shit mess. Like all the elements were combined in using MS Paint.

The canibus logo on his chest looks so out of place, like it was added as an afterthought.


You can tell the person who did this is a design Noob who probably did it all in photoshop and doesn't realise that there is software like Illustrator.

Basically, this is a bigger a piece of shit than this:




I think He was going for this: (For The inspiration and Look.


with this in mind: (For The Feel.)



or maybe this in mind: (For the Background.



Either way it was good attempt and its a phat cover regardless. Y'all don't like it. Too bad. I agree the font sucks but thats about it. I think you're over analising it. Just take a step back and see. The cover really kicks a**...

13
Hip Hop Events / Re: Canibus coming to SA!
« on: January 11, 2010, 03:36:14 PM »
WHAT?!!!? WHEN...OH MY GAWD I CAN'T WAIT Mr. GERMAINE WILLIAMS IS ONE OF THE REASONS I WANTED TO BE A RAPPER.......WELL AFTER JERU DA DAMAJA

14
Humour / Jokes / Re: Facebook revenge FTW
« on: January 11, 2010, 03:34:46 PM »
Oh shit thats funny as hell....

15
Hot Traxxx / Re: Top 10 Producers Of The Decade by Billboard
« on: January 11, 2010, 03:31:01 PM »
@Killa Merc
Just Blaze - Very dope, hard, solid beats. He's a genius with samples. For me he's the new Pete Rock. They have similar styles in that they both like to use bright samples with body under some hard, warm drums.

Hitek - Also dope, I dig his style alot. The only reason they're not in my top 10, even though they make better beats than 4 of the nigga on my list is volume. The other guys put out a high output of work and still maintain their consistency to considerable lengths.

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