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121
General Discussion / Truer words never spoken!
« on: February 01, 2008, 12:17:00 PM »
Dunno who wrote the original post, but all this is true....

First Read it. Then send it to everybody you know. It’s a lot to read, but it’s well worth it.

    “lights out !” : an open letter to the record industry & the idiots who work for the fascist regime .

    read this out loud !

    this is intended for all of you lowly puppets who sit in your big offices in big buildings that will soon be out of business & thus, forced to hold vacant memories of an industry that once was . this is for all of the big wigs in suits & ties who sit at the head of the conference room table with creative opinions as empty as the “music” they force down the throats of the now bored & uninspired creative consumers . this is for all the idle a**istants who only work hard enough to get their names on the grammy party lists, or whose only existence remains obsolete if he/she can’t get into the hot new band’s hollywood show debut . this is for the borderline retarded a&r guy who should in fact abandon his dreams of changing the failing record industry to become a highly paid talent scout at a modeling agency . this is definitely for all the marketing low lives who fail to avidly push great talent because the world’s fave reality slut randomly decided one day while botoxing her armpits that she wants to be a rockstar .

    yes .
    this open letter is for all of you .
    come feast your eyes upon the truth behind your insolence for 5 minutes , if you even have your job for that much longer.

    your blatant lack of respect & worship for the oldest & dearest artform has brought a once thriving & artistic industry to a grinding halt . your willingness to believe that the world wide web has killed the consumers’ thirst for new & exciting talent is wildly ignorant & safe . you would like to feed into this stupidity because you are too lazy to stand behind substance ; you’d rather take the low & easy road than take the time to nurture true talent . you’d rather tirelessly feed us the same carbon copied , lip synching , sex dripping , faux punk “i got my entire outfit from hot topic” rocker , buffoonishly ghetto “are they even speaking english?” hip hop , “same old same” sound from song to song type image & force us to believe that this is all the world’s artists have to offer . you’d rather watch your company stocks & yearly record sales severely plummet than take strong initiative to fix the current problem . you’d rather see hundreds of employees laid off & out of work during the holidays because you’re too afraid to stand up for something new & different . you’re content with creating a 1-hit wonder society , where any idiot with anything shockingly catchy can enjoy a sorry 15 minutes of fame & a future segment on vh1’s “biggest 1-hit wonders of 08” extravaganza .

    where is the new generation of legends ?

    beyonce & alicia keys are old shoe ins . r kelly , sure , but his personal dramas easily overshadow his genius . radiohead & outkast comes to mind , & then i draw a big blank .

    the latest thrill in music has been an over abundance of great dancers with mediocre voices , albums , singles , concert ticket sales , etc . thank god the internet allows every joe blow in the universe a free forum to overexpose every little thing , especially mediocre celebrities . thank god for online music forums , such as myspace . artists are able to directly connect with the people & expose themselves & their art to everyone everywhere at the click of a button . myspace proves that music can no longer fit into a box . long gone are the days of urban vs pop vs alternative radio . gwen stefani had hit songs for years on the pop & alt charts , but she records a song written by pharrell & she’s instantly on top of the urban charts as well . this new r&b dance pop music crosses over to white kids & that kelly clarkson “since you’ve been gone” song was smeared across the lips of many a young black girl last year . m i a is all over the indie alternative stations , & lets not even get started on gnarls barkeley .

    all signs point to the obvious : true music consumers right now are a ) young , & b) smart . young kids are able to point & click their way to every new trend . they arguably have short attention spans & they want to be in on what’s cool & personable to them . when madonna emerged in the ’80s you had tons of girls around the world imitating her every move & style down to the mole . kurt cobain turned grunge commercial when he was exposed to millions of kids who felt like society’s outsiders looking in . hip-hop has been a huge influence on mainstream culture since the early ’80s because of it’s relativity . kids have not changed . young people are not mindless robots who like what you tell them to like with no opinions . the youth are always looking to be enthralled .

    they want to be entertained . they want to feel as though they are a part of something that will be written about , studied , & revered 20 years later . they , like all of us old & young alike , want to be inspired . when i was a kid i saw prince prance around on stage & dazzle people with his art & i felt inspired to do the same thing . why are you music industry idiots attempting to tell us that we don’t want to be touched ? why are you trying to rob us of new musical experiences ? will there ever be another motown 25 / michael jackson moonwalk experience ? will we never again hear a single like queen’s “bohemian rhapsody” on the radio because the hook isn’t catchy enough ? will we never see another band like the talking heads & joy division or parliament ? will there never be another artist to rival frank zappa ? will we be forced to hear different versions of the same dumb song on every single radio station every 5 minutes simply because the record label had enough money to pay off the station manager ? are we still supposed to care about mtv when there are hardly any videos in rotation ? do i even need to mention b e t or v h 1 ? are any of the cla**ic record industry outlets working these days ? as of late it seems that artists are independently breaking ground with their own efforts . songs are being licensed for national commercials from artists’ myspace pages & personal websites . ellen degeneres has been known to book musical guests from videos seen on youtube , & as i aforementioned , gnarls barkeley not only created a new genre , but they also won grammy awards for an album that was recorded in home studios & released through an indie label .

    why should artists even seek major label deals ? they are completely outdated & obsolete . artists are sold the dream that talent can secure superstardom , but it becomes evident that labels only sign bands nowdays because of the band’s existing fanbase & record sales , or because they dig the artist’s look & want to cash in . they don’t want to develop the art . they don’t want the artist to express his/herself entirely . they just want the artist to comply with what will get the company a big monetary return . they sign you for millions , pimp you for pennies , then drop you a year later when the music they made you record & release is no longer relevant . you’re left on the streets unsigned & irrelevant & ready to infect the world with the music you’ve always wanted to make , but no one will take a chance on you due to your previous material . meanwhile , the label has already put white out over your signature on the slave deal & replaced it with a younger version of you . cold game , ain’t it ?

    the age old model is failing . as an industry based on faithful consumers you have lost your connection with the people who matter most : the PEOPLE . you have yet to show them that you are with the changing times & able to adapt to something new . you are proving that you are too afraid to promote good music . you would rather let the monotonous drone of what is today’s music remain unbalanced by substance . you would rather watch more legendary artists abandon you for direct deals with itunes & touring companies . you would rather allow the internet to defeat what should be your life’s work . maybe you should excuse yourself from the next a&r meeting to go take a look in the bathroom mirror . stand there & ask yourself why you took this job , & when you realize it’s simply because you wanted to be cool & “in the mix” then return to the conference room , take that gun out of your pocket , & shoot yourself in the head in front of your coworkers so that you are made an example of . if you can in fact leave that conference room & look in the bathroom mirror with pride & hunger to break the monotony then head back into that conference room , jump on top of the table & read this manifesto .

    this is a challenge .
    we’re calling your bluff .
    record labels are nothing but banks that give artists hi price loans in exchange for artistic control . put your money where your cocks are . go out on a limb & support real music for a change . find the line where the internet & the real world meet & infect more people with something magical . start building more legends . it’s almost too late . interscope is dead . def jam is next . motown who ? mca what ? warner , you’re not too far behind . the war sirens are ringing & you’re content with playing deaf & dumb .
    we’re calling your bluff !
    we’re here to reprogram how you & the rest of the world listen to music .
    we can do this together , or you can stick to your own devices & peril in the process .
    we are the people . we are the future . we are the present .
    who are you ?

    *********************

    copy this , paste this , & repost it wherever you see fit . email it to those who you believe can benefit from somethin like this . this is from the heart in jerry maguire “who’s comin with me?” fashion . lets open our eyes , our ears , & our hearts . lets stop standin for the bullshit & start demandin these idiots to take charge & make change . substance has the right to be heard . support real shit & start takin it to the streets !

    c’mon people .
    it’s 2008 . diddy killed music in 94 . it’s time for some better shit .

    pa** it on . . .


I found it here:http://algorythmusic.com/65/truer-words/

122
Producers - Discussion / All you hardware freaks.....
« on: February 01, 2008, 08:41:11 AM »

Posted by Gizmo on January 17, 2008
AKAI PROFESSIONAL INTRODUCES THE MPC5000

Akai Pro MPC5000 MPC-5000

In recent times, Akai have attempted to gain some ground in the lower end of the music production market with the MPC-1000 and baby 500 models. For beat makers on the move (in the back of the stretch Hummer between showbiz party and the studio), these diminutive MPCs have provided beats on the go. But the really serious studio dwelling hardcore MPC heads have craved something new to get their pad thumping hands on, having been stuck with ye olde worlde MPC4000 stylings. Well finally it's here - the MPC5000.

The blurb:


Akai Pro MPC5000 MPC-5000

    AKAI PROFESSIONAL INTRODUCES THE MPC5000

    Flagship MPC Delivers Legendary MPC Feel and Workflow with Groundbreaking Capability


    Cumberland, R.I. (Jan. 16, 2008 ) – Akai Professional, the name synonymous with innovation in electronic musical instruments, announces the MPC5000; the new standard for music production.

    The MPC series set the standard for producers making beats around the world. The new MPC5000 is the result of dozens of engineers, 20 years of experience and a new synth and drum sampling engine unlike any MPC ever.

    The MPC5000 is the first MPC to include eight-track streaming hard disk recording, a 20-voice, three-oscillator analog synthesizer with arpeggiator, a new sequencing engine with 960 PPQ resolution, pad and track muting and mixing, 64 continuous sample tracks and 12 Q-Link controllers. There is even a new FX engine with 4 FX buses and 2 FX per bus.

    The MPC5000's virtual analog synth eliminates the need for external analog synth modules or buggy software based synthesizers. The new eight-track direct to disk recorder lets musicians produce whole songs in the MPC and then mix them down with the internal sequenced programs and any input thru source. Add the optional CD/DVD drive and producers can then burn an audio or data CD to the mix. More than 650MB of premium-quality sounds from Loopmasters are included to get musicians up and running with pro-quality production in seconds.

    Unique to its cla**, the MPC5000 delivers a full suite of production features that include:


        * Sixty four-voice drum/phrase sampler with 64MB memory built-in; expandable up to 192MB RAM
        * Three-oscillator virtual analog synth engine with built-in arpeggiator
        * More than 300 Virtual Analog synth presets included
        * Eight tracks of Direct-to-Hard Disk recording
        * More than 40 all new effects available within a modular 4-bus effects processor
        * Master equalizer and compressor with “old school” mode that gives a vintage sampler sound
        * Built-in 80 gig hard disk drive
        * Optional CD-R/DVD drive
        * USB 2.0 port for computer connectivity
        * CF Type-2 card slot (up to 2GB)
        * Chop-Shop 2.0 - slices a stereo loop into individual samples with automatic pad a**ignment
        * Patched Phrases - creates multiple splits in looped samples to ensure proper tempo sync without changing pitch
        * Continuous Sample Track - ensures samples play in perfect sync no matter where you start the beat in a loop
        * Twelve Q-link controllers for internal automation, external MIDI control and quick parameter editing.
        * 240 x 128 hinged backlit LCD
        * Ten built-in analog outputs, plus eight ADAT-optical outputs and stereo S/PDIF IO
        * Powerful new multimode filter
        * Two MIDI inputs and four MIDI outputs
        * Turntable phono inputs with RIAA preamp
        * XLR / ¼” combo jacks with selectable mic/line levels



    The display is twice the size of the MPC2500 and MPC1000, so waveforms appear crystal-clear. Integrated Chop Shop 2.0 now supports stereo chops and Patched Phrases. The MPC5000 is also the first MPC with Random and Cycle sample playback added to the Zone play, and a turntable preamp.

    The MPC5000 is expected to land at retailers in Q2 - 2008 with an MSRP of $3,499.


I'll be completely honest - I'm quite seriously lost at this end of the music making spectrum so I'm not going to even pretend to bullshit you with voluminous knowledge of the finer points of MPCism. But just so you know, there will be a small MPC special soon on skratchworx - a couple of reviews and that.

I guess the big question is when will JJ take a crack at making some software for it?


http://skratchworx.com/images/akai/mpc5000/mpc5000_small.jpg

taken from:http://www.skratchworx.com/news3/comments.php?id=871

 ;D

Personally, I would'nt go for it tho...got my eyes set elsewhere.... ;)

123
General Discussion / A city called ......
« on: January 29, 2008, 08:55:39 AM »
Okay...ppl have a problem with Nas album "nigger"....but you have a city called "f***ing"

http://www.snopes.com/photos/signs/austria.asp
 
 
           

Are the residents called F@ckers ?
What are the mothers called?
What would you be learning at the F@cking High School?
Does the F@cking Hospital help you with anything else?
If your friend came from another town, he wouldn't be your F@cking friend?
What do you ask a pedestrian when you want to mail a letter, "Excuse me, where's the F@cking Post Office?"
And, perhaps, it's just like in America .....you can never find the F@cking Police when you need them!
   
 
 


124
General Discussion / IMAGINE
« on: January 28, 2008, 10:56:43 AM »
...CRUNK coming in before hip hop....

will there be underground crunk???

will you cla**ify "hustlin'" by Rick ross as underground that went commercial for some odd reason?
what tracks come into mind when merging crunk and underground.... :-\ :-\

THis is some idiotic thread...but I'm sure will play tricks wit you if you give it a thot! ;)

125
Producers - Discussion / Inside out with Illmind
« on: January 21, 2008, 11:44:04 AM »
I thought I should share with you guys on what I usually dig up daily...maybe some of you may have named me a research freak.... ::) ::) ::)...but hey, thanks....thats me!

This will some how be a series of posts I will make...on producers anyway...let me know if its a gud idea...I kno it is...may inspire someone!!! But first, I will ask our own AG prominent ppl a question constantly to have their views and takes on SA hip hop....So here goes....

@ DPlanet:1. In your opinion, what makes or can make SA hip hop to be in an international level?
               2. When can one say a SA artist made it?


Lets talk about...

... the status of the hip-hop game right now... actually, lets talk about the music industry in general... people now are debating that the music industry is dead, and this and that, but i don't think it's dead... i think it's far from dead... the music industry is SUFFERING from a business stand point... to me, music is as alive as it has ever been... there is so much GOOD music out there that we all probably have never heard yet, but it is out there... and yeah there is some garbage as well, but taking that into consideration, every year there is more and more talent on the rise...

now for a second, i want to talk about the production game... IT IS TOUGH!!!! i've been grinding this production career full time for almost 7 years now, and each year it gets harder and harder... i feel very fortunate to be at the place i am now, and also that people out there are actually catching on to my music... i am 27 years old now.. back in 2000, 2 years into college with a great internship doing Computer Networking and Cisco, i decided to pack that up, and make a sudden and drastic career change... i'd go as far as to say DILLA CHANGED MY LIFE because if it wasn't for him, i probably would've never had the inspiration to really grind and make music (you should hear my first beats... straight DILLA lol)... anyway, back to what i was saying... these 7 years went by so quickly, and i've learned so much.. made some bad choices and some good ones, but overall, i would not take it back for the world... if you really want to pursue music production as a career, just know that it is DAMN HARD! when you first start off making beats, and you feel you are ready to collaborate, the worst thing you can do is charge money.. yeah i said it... $50, $100.. that's one thing, but please by all means do not think you are going to be able to slang beats for more than that... if you do and if you can, then go for it! but you are better off getting a day job to pay the bills, and focus more on networking, doing things for free, and building up your resume... when i first started slangin' beats, i did most, if not all beats for free... i built relationships with people, and worked to build up my discography... your discography is probably the most important aspect of your production career... ANYBODY can make hot beats nowadays, but your grind and making smart moves is what sets you apart from the rest... establish a place for yourself in the market as well! and one piece of advice that i took a long time ago, and still apply to this day is to never let anybody tell you what you can and can't do... music production is a tricky business... if you want to reap the benefits of waking up in the morning to make beats all day as a realistic career, KNOW YOUR BUSINESS!... i've made some bad decisions in the past, only because my business sense and knowledge wasn't up to par... i learned a lot from the experience, and now i am wiser than ever... don't jump at the first opportunity you see, and please, DON'T hire a manager if you don't need one, or don't trust one... most of the things that managers do early on in your career, you can easily do yourself! ... so save that 15-20% income and do some research!... read ALL YOU NEED TO KNOW ABOUT THE MUSIC INDUSTRY by Donald Pa**man... read books on music publishing... join ASCAP, BMI, OR SESAC... do your research early and know what you are getting into!...

and lastly, don't worry about people trying to tell you what kind of equipment to use... FRUITY LOOPS changes lives! (see: 9th Wonder)


Taken herehttp://anotherillmindproduction.blogspot.com/2008/01/lets-talk-about.html
Sunday, January 6, 2008

126
Hot Traxxx / Golden state Royale track teaser
« on: January 16, 2008, 02:10:11 PM »
OKAY...seems as if ppl wanted Hakeem to release after a long time, but when he does....guess what....no one buys but waits for downloads....

This ain't fair to the artist...never mind the producer (he gets paid)!!! But what Im saying is ppl here "ba na le molomo, mare ga ba reke.....hout kop!"

Anyway...here's what they've been waiting for....never doubt Hakeem (I would know)....he got plenty where this comes from....

Here it is: breakin dem doors promo.mp3 - 1.74MB

127
Producers - Discussion / CAPCITY songstress
« on: January 15, 2008, 08:30:29 AM »
I wonder how many have come across this young lady, I once had a chat to her when some video project was done back in late 90s early 2K...

She worked with the likes of Tumi, Mizi, Nyambz...not to name a few, but who I know  :P

Please watch vid: http://multimedia.thetimes.co.za/view_video.php?viewkey=e131bfc9d98363e55d1d

128
Okay now...

I really have heard them (not completely) all, but I would like to know whose ba**line did it for you.

Personally, I can track back from listening to sum cut in yo gutt kinda ba** from Skwatta "Rau rau", which kills me till this point...but yeah...some niccs here will be like WTF!, when they read this thread :-\

This is just to acknowledge all those producers that actually kept our heads boppin'...so bring the track name on....

 ;) - Trompie





....seeing that there's been already 23 views....I take it that this is difficult for people! (SWIPE thread)

129
Hot Traxxx / Appreciation....
« on: January 02, 2008, 03:52:47 PM »
I would like to thank all that supported my iesh and bought Blek Market scenarios vol.1 (which is doing gud for indie sales!!!! watch out for vol.2 with all SA artists...but space for other mc's open ...hit me up!!!) ....and commented in my topics on here....

Hope all had a great or best festive season...

Don't forget to buy Hakeems new album Golden State Royale (produced by myself) @ http://www.houseofhiphop.co.za/ and download his single from there also....support your own...I wont mind buyin gud SA hip hop - just let me know!!!!

HIP HOP is in gud hands.... ;) ;)

130
Hot Traxxx / HAKEEM - GOLDEN STATE ROYALE
« on: December 06, 2007, 11:14:14 AM »
Word on the street is .....

Siamese keeps banging dem new joints constantly, peep 2 new joints from Hakeem's album called Golden State royale here http://www.houseofhiphop.co.za/. All tracks produced by Trompie aka Bleksperm....oohhh snap :o :o :o :o!!!!!

That's me.... ::) ;D ;D ;D

http://aycu39.webshots.com/image/37398/2003391349294346604_rs.jpg

131
Hot Traxxx / Blek Market scenarios vol.1: OUT NOW!!!!!!
« on: November 13, 2007, 09:53:37 AM »
Been a minute me not posting anything...

Bad news is: I did not give yo'll my monthly installment, BUTTTT!!!!!

Good news is: My compilation is out, Im taking orders for anyone interested - R20 a pop or might get it at retailers for R30. It's selected as Cap city's album of the month here: http://www.houseofhiphop.co.za/

I live up to expectations so cop that!!! B4 I 4get heres the sampler: http://www.sendspace.com/file/n96ul1

Coming soon:  HAKEEM & POV - GOLDEN STATE ROYALE
                              produced by yo's trully!!!

PS: I need mc's for BLEK MARKET SCENARIOS vol.2 (PM me)

132
Traders / MPC 500 for sale!
« on: September 26, 2007, 01:49:24 PM »
Seeing that I only used it for 5 months and still in mint condition, and again leaving on sunday (30/09) for Europe to shop for MV 8800....I wanna give this away for a bagain price....

Any interested bidders to up their production game????

133
Hot Traxxx / Monthly Installment 3: DAMOLA&ONDGRND
« on: September 25, 2007, 02:17:57 PM »
Okay now...!!!

I see I've actually been getting less or no response for this....and guess what????

I JUST DON"T GIVE A MULES a** NO MORE!!!

Most of niggaz here are pu$$ies...don't have nothing good to comment about but bitch the whole day...

GET OFF the INTERNET BIATCH! :evil:  :evil:  :evil:

For those who put thier 5 bop worth...PM me...got gud s#it for yo'll!!

Now....this here was recorded yesterday by yo's trully...and feel ppl shud watch out for the up-coming project.

Give it up for DAMOLA and ONDGRND's first freestyle mixtape internet release...

 :arrow:  LINK REMOVED/audio/383979127e4502/ -     DAMOLA&ONDGRND

 :twisted: :twisted:  BLEK Market scenarios compilation vol.1 coming soon... :twisted:  :twisted:

134
I guess most of you have been waiting in anticipation to hear what track really gave me goose bumps producing....and ofcourse, I don't wanna lie....I really was scared of putting this out....I MOST PROBABLY AM THE FIRST PERSON TO REMIX THIS IN SA AND PUT IT ON THE NET. The catch is, you have to get it on my blog....the link is below:

http://trompie-siameseentertainment.blogspot.com/

Im in a process of doing a compilation...so ppl PM me for vocals of anyone including yourselves and put me to the challenge....LIMITED OFFER - FREE!

135
Hot Traxxx / Have your say...
« on: August 17, 2007, 09:02:14 AM »
WUDUP PPL!

I am busy creating a blog and would kindly like your participation in it...

I know its difficult to have time to read blogs, but I am actually making it worth a readers while by putting links for downloads...no matter what I may come across...

Too many ideas are in the pipeline, and I dont want ppl to think that this is what ppl like me get up to for recognition, but being from the streets literally, this is HUSTLING...

So here you go...

http://trompie-siameseentertainment.blogspot.com/

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