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Topics - BHLAKHROZE

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31
Politics / HEY, YOUNG WORLD
« on: November 08, 2008, 12:05:03 AM »
VOTER REGISTRATION SOUTH AFRICA: 8 + 9 NOVEMBER 2008


be added/have your details changed/check if you are registered.

sms your id number to 32810 OR call 0800 11 8000 toll-free OR got to www.elections.org.za


play your part...


32
Hot Traxxx / the hip hop dj
« on: October 22, 2008, 12:55:30 PM »
this bubbling under the surface business...

there is a contender. based in cape town. his name is soulo starr.

and he knows what he is doing.


33
Politics / masculinity
« on: October 16, 2008, 12:22:17 PM »
hello chaps :)

thought maybe you might wanna check this out. if you havent seen it.
 

BARACK AND CURTIS: MANHOOD, POWER AND RESPECT.


34
Politics / the bartender...
« on: October 06, 2008, 02:57:56 PM »
- ANOTHER 'IT HAS NOTHING TO DO WITH ANYTHING BUT IS EVERYTHING' MOMENT -


so like whats up with sour bartenders?

nothing quite like the kill joy of a bartender who makes you feel like a pest for standing there, thirsty and wanting to get your drink on. whats up with sour bartenders. my lord. what. a. bore.

there you are all smiles saying hi, throwing up peace signs and humming tunes. and with one stare someone brings your evening to a screeching halt. having me tentative to come back to the bar. which makes some of these excursions completely pointless now doesnt it.

its been one too many. and most recently, after one too many. i came back to ask like is it me or? whats going on bra. whats the problem here. are you tired. is it my face. what happened today. life dramas. all of which juuuust made the situation worse. i think i pissed him off more. oh the audacity. gosh. and then just to annoy us both i was short and had to go back to get the remainder of the amount he had taken the time, packed bar not withstanding, to count with unnerving precision (had me standing there, eyes just over the counter, feeling like a naughty kid who already has a record of pinching in the store). then by the time we got to what it is i actually wanted, i was stuttering. it was all too much, and way past 'it got late in my world' time. and then. when i finally had made it through the ordeal, what with all the feeling victimised and hard done by, someone was gracious enough to kick over the said drink. in a moment of what i now look back on as sheer stupidity * shakes head at the memory *   

there is just nothing quite like a sour bartender. a part of me feels its unacceptable - arent you part of the experience. all turning t-pain into some kind of liar. coz me i was jamming along to the voices in my head like:

...i like the baaaaartender. ooooh if you looking for me...


disclaimer says: im a fairy

35
Hip Hop Events / CAPE TOWN
« on: October 02, 2008, 03:10:16 AM »
- THE RELIGION OF Pa** IT ON -

its the wee hours and im all here making an offering of myself under the title of 'baffoonious behaviour' but here it is. im inspired. and it probably wouldnt be me if it didnt unfold into some kind of essay. but if youve got the time please hear me out.

music represents so many things, we appreciate it, understand it in different ways. it means different things and serves different purposes in our lives. we relate to it differently. and thats okay. but there are moments, they do come, when music, in its creation and expression, moves beyond just making us dance or simply enjoy. it opens spaces in us, shows us things. takes us places we dont know and have never been. and our appreciation stands in awe. it does have a power. the kind that can comfort, educate, take us away or make us raise our heads and take in in slience. or screaming. it can tell us of the worst or the best in ourselves. and sometimes what it will do is expose to us possibilities.

if you are in cape town, please do me the favour. do me the favour of making your way to the a**embly on friday 3rd october around 8pm. go and see something. go and experience something. give yourself the space to trip. to be exposed.
its creeped its way in quietly. this business of so much lying beneath the surface. but. GO AND SEE 'BIBI TANGA AND PROFESSOR INLa**ABLE. they are based in paris but who they are is the connection of africa meets the world - without having to always necessarily be lumped under world music. its too damn funky for words.
the line up is designed for a moment. BLK JKS AND DUBVAULTS as supporting acts. go and experience this. these guys are some other. and there is something supremely humbling in the fact that we dont know who the hell they are. there is a whole world out there. get out your boxes. if you can please go and see this. it has taken some shyt to make it happen. do me the favour and make it mean something. make it worth it. share in it. that is the whole point. to show us something different. something that awakens an awareness within us. skill. synergy. craftmanship. where everyone, everyone is the star of the show. they are on point. if you can, experience this.

the lesson of making in roads where we havent travelled before.

GO AND SEE BIBI TANGA AT THE a**EMBLY THIS FRIDAY.


36
General Discussion / APPRECIATION
« on: September 23, 2008, 06:57:16 PM »
what is good. what is right. what is blessing in life. what IS beautiful. must be appreciated wholey. with an appreciation of what we know of the fleeting nature of breath. it must be enjoyed. celebrated. experienced. done.

every moment stands the chance of being taken away.

for the power and priviledge of stretching the moment doesnt always lie in our hands.

37
Hip Hop Events / SPEAK THE MIND
« on: September 09, 2008, 09:16:23 PM »
SPEAK THE MIND FESTIVAL

16TH - 20TH SEPTEMBER AT ARTSCAPE


tuesday 16th - lyrical base project > 19h30 - 22h00 > R30
wednesday 17th - verses night > 19h30 - 22h00 > R35
thursday 18th -panel discussion on 'media, futurism and culture' > 19h30 - 22h00 > free
friday 19th - poetry workshop hosted by kabomo vilakazi and slam jam > 16h00 - 20h00 > free

saturday 20th - performance finale > 19h30 > R50

LINEUP

- khadija
- qhama and sivu
- jitsvinger
- rozi ;D :D ;)
- sakhile
- pops mohamed ft vuyo katsha
- outspoken (zimbabwe)
- imani woomera (kenya)
- georgia me (usa)
- nastio mosquito (angola)

- dj kenzhero

the fine print: dont ask about the electronic flyer, i have no idea. tl tl tl

38
Politics / and the message is LOVE
« on: September 08, 2008, 03:11:00 PM »
i would like to tell you a story.

its one along the lines of the politics of the personal. which i believe colours most of this life. is life. so i would like to tell you a story. it may have nothing to do with anything. its one thats already been told (never believed). never here. and what ive found is that one of the great challenges of living is this moving in so many different spaces without having to confirm. without shying away from or losing yourself. the difficulty in being yourself where reflections can so often be left wanting. it'll have you questioning what your particular relevance is. what it is you bring to where you are. in that moment at that time. have you feeling bizarre.

it paints itself as a self portrait. a day in the life. when i believe it has absolutely nothing to do with me really.

and so at continued risk of my seeming baffoonious. i would like to tell you a story AG. its a bit long. so please bear with me.

and the message is LOVE.



It was a simple idea. A very simple idea. Borne of the fact that with every Valentines Day, one is a**aulted by the usual anxieties, the usual feelings of emptiness and longing. Instead of Valentines Day being a day of love expressed, love experienced and love felt. It has become a day of feeling less. Instead of one being joyous and celebrating love, it becomes the kind of day when you are reminded of the love you feel you don’t have or need. A day of buy this, do that. Whether one agrees with it or not, abides, it remains, is there, takes place and is in your face. Some believe and share in it, as they can and others, well, choose may'kethela - that is life. Im one of those who doesn’t look forward to it, infact I ignore it most times. I didn’t want to mope this year. I didn’t want to feel alone. And I didn’t want to wait for someone to fill those spaces within me.

And so it became that I made the decision as they say to ‘be the change you want to see in the world’. I made the decision to go out there and share of the love inside of me. To go out and find within my immediate space someone/anyone and give them something. Make them feel special. Show them love. It could have been someone I know, but I think I went out with the explicit intent of finding someone I didn’t know - a child; an elderly person; those who spend their days wandering the streets lost and without; a storekeeper; street sweeper; bus conductor; someone’s housekeeper. Someone we forget and anyone who needs it. All I wanted to do was find those people and give them my love. My most ambitious thought was that they would be inspired to complete the rest of their day in much the same way. It was my simple hope just to touch and bring out the tenderness in their own hearts, like yes, it can happen to you. I wanted to tilt the angle of their frame of reference if only for a day. And maybe just maybe they would pa** it on. And it would in turn not be just one flower but many in spirit. Who knows. Ambitious, like I said. 

It turned into one of the most enriching, most fulfilling experiences of my young life. I bought 6 sunflowers and wrote out 6 little notes and tied them with ribbons. I spent the day walking about and identifying people who inspired within me a need to pa** on the love or celebrate it. What remains is that I learnt so many things about love as we perceive it or love as we think we know it. It was such a small thing and so easily thought of as insignificant and it turned out to be so profound and so giving. The lessons gathered are enduring. Give the love you think you need.


That morning I awoke to the realisation that I was actually quite scared. More like questioning, am I mad? I mean who just sommer decides to do such? I managed to force myself when I saw the poor little sunflowers looking up at me with faces pleading - but you promised. So I wrote out each little note and tied the ribbons to each stalk. Still half not believing myself, with thoughts in my head like, just how we can make what should be the easiest things the hardest.
I wasnt trying to be starting a rally. I wasnt trying to peddle anything to anyone. Wasnt asking for anything. I simply wanted to make them smile. Hopefully. And yet there I was so scared. I was afraid of being stared at, afraid of being judged by people in the street, afraid of their thoughts. Afraid of doing something a little differently. The absurdity in what we now experience as a fear in not only giving but giving of ourselves how we know and as we are. Its not always a very receptive world, as we know.
I did however eventually drag myself out, heart squealing. Committed to my own self to keep my word, no one standing over my shoulder and no one checking if I infact really did this. No one to see, applaud or validate. Just me.

There was a slight drizzle, which didnt help me much really. Grey slouching about, dampening my resolve - high treason by that gallery in the sky. Aaargggh!! Everyone was seeming so busy and intimidating. I was just like oh-my-word. I-am-positively-insane. I CANNOT BE SERIOUS. I crossed the road and nearly got myself hit by a car. The driver of which, very unimpressed with my rather obvious display of stupidity, proceeded to hoot me into a frenzy. As if I didnt have enough problems – people can be so inconsiderate. ‘Great. Wonderful start there my girl. And there I was thinking we were trying to spread good cheer.’ NOT.
I was in such a state that, the first person I saw when I made it across, found themselves with a sunflower shoved in their face. When I raised my downcast eyes I just thrust out my hand out, like, ‘here! take it!’ Clumsy to say the least, but hey its the thought that counts right? No that didnt go so well at all.

She was a housekeeper and in much of a hurry - she was quite obviously late. My efforts only served to leave her confused, which just made things even harder. ‘no! this is not how its supposed to go!!!’ cringing and everything else between, I think I whispered it. I dont remember. I probably dont want to. Happy Valentines Day I said. Gesturing with my hands, as if that helps hey. How exactly do you convey the message with your hands? Uhm hmmmm. Shaping fingers into hearts? No. It didnt go well at all. She just nodded her head and kept it moving. I stood around, stuck there. Unsure of how to move. The morning spectacle, starring me. People in their cars. Staring at me. I looked back at the house. I-cant-do-this.

Because though we intend to just give, even if we tell ourselves we are not expecting anything in return. We are. And its a small thing. It is that we want to be received. In whatever way shape or form. We want to be received.

And it became lesson number 1.

39
Hip Hop Events / ON PLAYING GAMES...
« on: August 22, 2008, 12:34:35 PM »
...a completely irrelevant but fun fact.


cape town made it onto the new monopoly world board game. * claps hands * came in third on vote count. its like soooo cool. i think its gonna be on some colour green. rolling the dice across these streets. peeps gonna have to fork out. hilarious.

im chuffed coz i voted tl tl tl ;D

40
Hip Hop Events / THE PAN AFRICAN SPACE STATION
« on: August 20, 2008, 10:34:41 PM »
THE PAN AFRICAN SPACE STATION (Pa**)

is a 30-day music intervention from September 12 – October 12, 2008, on radio and the internet, as well as venues across greater Cape Town. It is an initiative of the Cape Town based curatorial team unknown as the Heliocentrics (Ntone Edjabe and Neo Muyanga), in partnership with the Africa Centre and with the support of Spier. The primary aim of the project is to articulate, musically, the Africa Centre's programmatic theme of "entangled nations". It is also an opportunity for Capetonians and visitors to engage up-close with the rich and complex web of creative expression which binds Africans across the globe.

Pa** is an exploration of and an intervention into spatial and cultural ghettos in the city and how to link them physically (through the music venues) and conceptually (on radio and the internet).


LIVE MUSIC VENUES

Pa** does not only bring music lovers together, the project also seeks to acknowledge and profile new and existing independent music venues across the city. The music happenings are arranged to occur at staggered time and space intervals to help affirm and disrupt, both, music geography of the city. However, these disparate venues across Cape Town are brought closer together through a temporary transport network of buses, which will serve the festival's routes, facilitating greater mobility in our notoriously rigid cultural environment. Through this approach, venues such as Langa's Guga S'thebe and a**embly in District Six may be linked conceptually. Other selected venues include Mowbray's Town Hall, Kimberley Hotel in eastern part of the city and the Slave Church on Long Street.

To emphasise this re-mapping aspect, musician and printmaker Righard Kapp is producing 5 visual pieces based on each venue. Similarly Pa** programme, designed by poet Karen Press and architect Greer Valley, takes the form of a map on Cape Town, illustrating the venues and the routes that link them.


PERFORMING ARTISTS

Between October 1–4, Pa** plays host to genre-busting music outfits from global Africa dedicated to exploring new musical territory. Participating artists include the Lagos-Accra based Afrobeat fanfare Ayetoro; famed drummer Cindy Blackman and her quartet (New York); Trinidadian jazz-poet Anthony Joseph and his Spasm band; Electronica-jazz group Bibi Tanga and Professeur Inla**able (Bangui/Paris); Kinshasa's underground poet laureate Bebson de la rue and his band Tryonix; Luanda's leading techno producer DJ Manya; Carlo Mombelli and his Prisoners of Strange (Jhb), Joburg's art-rockers Blk Jks, Afrofuturist bluesman Madala Kunene (Durban), two Cape Town based collaborative projects, namely Goematronics and the all-female electro project Science Feline and more.


Pa** RADIO

The highlight of the project is a unique and freeform music radio station. The radio station will broadcast 30 days (September 12 – October 12) of cutting edge music from global Africa to the greater Cape Town. This will be a true meeting place for the diverse music audiences in Cape Town. All the music acts mentioned above will also perform on the radio station. Pa** will broadcast from studios at the Pan African Market in the city centre and other festival venues. The radio will launch with a 24-hour event to be held at the Pan African Market on September 12 (Biko Day), and will broadcast of FM until October 12. Thereafter, broadcasting will continue online.



* for those who made it this far: please pm me if you are interested in getting airplay on the radio station. conceptually the idea is to create and integrate the station into a performance space of its own. whatever goes. and by that i mean WHATEVER GOES. there are no rules here. the free-er and more challenging the material is, the better. challenge yourself. its a gap. use it *

41
Hip Hop Events / WATHINT' ABAFAZI WATHINT' IMBOKODO
« on: August 09, 2008, 12:29:22 PM »
i wasnt gonna bother but maybe i should. maybe i should.

history is so often about choices. its about how we choose to remember. and whether we remember at all infact.

womans day is not a day pulled out of the air. its not another one of those. its not about buying anything. no one has to buy anyone pink candy or balloons. its not about doing anything one would normally not do. its not a once off. its not not about debated gestures. its not about that. i think to look at it in this way is to miss the point completely. its not about what should or shouldnt be happening. its about what it is. 

its a chronicle. testament. it is about a specific moment in time. when something significant happened here. when the women of this country marched to the union buidling in defiance against an oppressive system. more specifically against pa** laws. 9 august 1956. it may not seem so big today because so many things have changed are changing that make some of these things seem light. the women then had far less rights. rights to themselves even. rights to their own self determination. what they did that day was huge. huge in so far as women were even more disenfranchised and affected under the sytem. they got up and did something about it. they a**umed the power to. they gave it to themselves.

so it may be that it matters not whether you make your woman breakfast in bed today or treat her with the respect that may be due to her on an everyday basis. its not really about bestowing really. what todays purpose may be is that of reminder to women in our society who are so often stuck or disempowered in whatever way as single mothers. rape victims or people trying to improve their lives. that they possess the force and the strength unto themselves. most importantly that they have their place in society. thats its there. its not something someone gives you. its something you have.

what is being celebrated here is not women as in need of anything. its a celebration and an affirmation of a strength that is already in existence. the gift of a legacy that should remain in our memory.


and i would wish all women a respect of self.

42
Media / QUESTION...
« on: August 07, 2008, 11:19:20 PM »
...how exactly does the music programming process work.

how does one become one/whats the criteria and also just how much say do these people have in terms of what goes into a show. and also what do they base it on/draw from. they govern what we hear. who or what governs them. is it whim. i mean i imagine that this is in line with a stations identity. but like. when dj's complain that they dont choose their own music. thereby pa**ing the buck onto the programmer. what informs the programmer.

how does this work.

43
Humour / Jokes / an AG kind of shout out
« on: July 19, 2008, 09:03:57 PM »
i heard a track
and even if i tried i probably couldnt guess off the top of my hat
so im gonna ask like. who was that
the guy on the radio who was telling AG to fall back

haha. look it rhymes ;D


so anyway i was wondering coz i dont know these things. who was the guy i perchance happened to hear towards the end of a track giving AG a shout out in the form of 'fall back'. on rhyme and reason. i didnt hear the track name and neither did i hear who it was. is it somebody in these very woods...

i was amused. so i was just wondering if anyone knows what track that was.

44
Hot Traxxx / DODGO DELUXO (the never say die testimonies)
« on: July 11, 2008, 11:42:24 PM »
tl tl tl. yeah you know what time it is ;D :D

the 'i shouldnt. i know i shouldnt but i do shyt now what' type jams :-[ when a song that has absolutely nooooo business reeling you in all of a skielik has you feeling trapped.

like maybe if i tell someone ill feel better. maybe ill even get over it. riiiight. these the ones we never tell anyone about. 

* shuffle shuffle *

so anyway i gots problems. its inexplicable really. i dont know when it started. it just happened. next thing im in big trouble * chews whats left of nails * and it sounds like this:

hood star - omarion and bow wow.

...im a boss booyyy. who you think you talking to. who the phuck you think you talking to...



* jams...then ducks * 

45
Politics / on leadership
« on: July 04, 2008, 04:10:57 PM »
now at risk of being described as one having a political career on AG (cue: newbiesrule). just thought this might be something to pa** on. only because i just appreciated this guys tone. just the manner in which he has approached this whole thing. just thought maybe those who havent seen it might like to. it was just something different.

its very long so please do feel free to ignore (cue:newbiesrule).



- WHAT HAS ZUMA DONE TO DESERVE PRESIDENCY - (musa ndlovu)

If, as a young South African, I were to hold a deciding vote on whether Jacob Zuma becomes president of this country, I would abstain. Maybe many young South Africans would.

This is because of the manner in which Zuma himself, and the African National Congress Youth League (ANCYL) have (or have not) marketed him to me.

The ANCYL's "unwavering" stance is that Zuma must lead the ANC (it has won in this regard) and consequently, South Africa, when Thabo Mbeki's presidential term ends in 2009.

Given the intensity and continuity of this support, I was expecting that the ANCYL would have, by this time, constructed a clear, coherent set of reasons why Zuma is by far the most suitable candidate to lead the republic.

What appear to be justifications for why Zuma should be the head of state are irrational, inflammatory, and question the current ANCYL's capability to ponder rationally, strategically and profoundly about any particular course of action. It does nothing to explain Zuma to a society grappling with the intricacies of consolidating democracy.

Over the years, the ANCYL has told the country's youth that the ANC is rich with leaders of particular qualities and competencies from whom it selects a "king". The league's history confirms this.

But, among the current large pool of the ANC's international and local leadership, the league has yet to explain Zuma's distinct leadership qualities.

The league's tendency to explain itself only within the ANC structures while it wishes Zuma's leadership to extend beyond these structures is irrational and can only be motivated by anxiety that its candidate may not be approved by the majority of South Africans.

The league commands privileged access to Zuma; most young people only have access to Zuma's perspectives through the media. The league must know this. But instead of reasoned arguments that elaborate on why Zuma should lead South Africa, the league opts for empty polemical rhetoric, the last example of this being, "We will kill for Zuma".

Surely a youth-political organisation, aware of youth's increasing alienation from mainstream politics and concerned about how this phenomenon threatens our young democracy, should be more detailed on why a particular political leader has to be a head of state?

How does Zuma stand above the rest in the ANC and country? Put differently, what is it that the ANCYL saw in him and then, how, after long and thorough processes of consulting youth within and outside ANC structures, did the league conclude that Zuma was in a cla** of his own in terms of leadership? After all, we are electing a leader who will lead leaders, are we not?

One of the justifications, it appears, is that Zuma's impeccable struggle credentials and personal sacrifices in the context our country's history qualify him for the presidential post.

Frankly, this is to argue the obvious and it is embarra**ing. Nobody (even those who despise him) disputes Zuma's noble and gallant fight against apartheid; nobody doubts that this was at the expense of himself and his family.

The question is, how does this horrendous experience differ from that of other anti-apartheid heroes? Why are other leaders in the ANC not selected and campaigned for on this basis?

The continued use of this argument in reference to Zuma (not only by the ANCYL) is nothing but an opportunistic ranking of black people's historical suffering, not as an end in itself, but to attain symbolic and material power for strategically positioned individuals.

It is reductionist and inadvertently insults Zuma himself: it suggests that Zuma cherished and fought for noble ideals only to seek a well-paying bureaucratic post.

The ANCYL points out that the National Prosecuting Authority (NPA)/Scorpions have mistreated Msholozi for a long time. I do not necessarily dispute this argument.

My issue is that the ANCYL treats Zuma's (mis)treatment by the NPA and his suitability to lead the country in a causal fashion.

That Zuma's dignity has regrettably been trashed by the NPA is, for me, not a sufficient condition for him to lead the country.

The youth league, and every decent citizen, has every right to protect Zuma if and when his rights are trampled upon.

What concerns me is that the ANCYL fails to explain how Zuma's treatment by the Scorpions is different to the way other people have been handled by the same agency.

The Scorpions' Hollywood-style of handling alleged high-profile law-breakers was the same when Zuma was deputy president of South Africa as when he was investigated and subsequently charged.

Is he on public record as having complained on behalf of other citizens? Where was the league then? Or, was it unnecessary to protect our democracy then? Since when in this country is mistreatment by a statutory body a sufficient condition for one to be seen as deserving to lead the country?

A subtext of the ANCYL's argument on the Zuma-NPA tug-of-war is that Zuma is a man of particular ideological outlook or with a set of strategies that the NPA and "those politically manipulating it" do not want to see benefiting South Africa.

But the ANCYL is unable to tell us how Zuma is strategically and ideologically different from Mbeki.

Zuma himself tells us and the world that there will be no policy changes under his leadership. Why is Zuma then singled out to be the most deserving to lead our country?

By fighting so vigorously to have Zuma as South Africa's head of state, the ANCYL has appropriated for itself the right to design our political future, but it still fails to share its vision. I expected from the league a meticulous diagnosis of the state of the nation and how Zuma could take us forward.

Well, nothing so far. What moral abyss, for example, will the country plunge into if we do not have Zuma as a president? What economic, cultural, political, etc quagmire will Zuma save us from, and how?

In a nutshell, what is it about South Africa at the beginning of the 21st century that deserves the leadership of Zuma?

Given that Zuma is relatively young and healthy, that there are very serious legal issues around him, and that the ANCYL already has a precedent of having given the country an older head of state - Madiba - what is the national emergency, now, that requires Zuma to lead the country?

As much as Msholozi is constitutionally innocent until proven guilty, does not the country need "young lions" who roar with outrage at the possibility that their candidate might have betrayed the ANC's stance on corruption?

Should the ANCYL not wait and see (while sustaining pressure on the NPA to get it over with) if Zuma has not, like some African leaders, been corrupted by a Western arms company - surrendering to the stereotype that we Africans are easily corruptible?

Screaming at Mbeki for his failures is not an illustration of Zuma's leadership qualities. It is just that: screaming at Mbeki. For all the shortcomings that Mbeki is now (single-handedly) blamed for, it is the ANCYL that facilitated his ascendancy to power.

Never was there a time when the ANCYL was collectively on leave; Mbeki has been operating under its watch. All of a sudden the very same league thinks that its once preferred candidate, the president that it returned to power twice, is a disaster. Should we still trust the league's ability to choose a leader for this country?

I would like the ANCYL to provide evidence that its preferred candidate is a profound thinker on a variety of issues that affect this country, an astute politician, and a sophisticated economist; that its candidate leads calmly, in a conciliatory manner and decisively; that he inspires; that his personal and moral conduct is to be emulated by every youth; that he gets outraged by corruption and incompetence and he will fire a comrade on the spot for these; that levels of poverty, crime, Aids, patronage and racism disgust him.

I would like the league to give evidence that the ANC could not have chosen a better leader for its forthcoming centenary; that South Africa could not have a better head of state to open the next soccer World Cup event.

But all of a sudden leaders, thinkers, ordinary citizens and comrades who raise critical questions about Zuma are called "forces".

How does Zuma himself want us to read him?

As a person of humble beginnings, I have always been inspired by Zuma's personal quest for education despite being deliberately denied an opportunity to attain it.

Here was a man, without formal education, who cherished the same noble ideals of freedom and greater good for all.

He was imprisoned for his beliefs in the liberation of both the oppressor and the oppressed. I saw in Zuma a leader who helped in the creation of peace in KwaZulu-Natal and facilitated peace deals in our war-prone continent. But I was to lose hope in the way that Zuma presents himself in public.

It is not what the media says about Zuma; it is what Zuma himself says about his character. I do not think, with all due respect, Zuma has carefully asked himself this question: what is it about my nature that makes me attract the type of people who pa**ionately support me? What is in it for them?

Such self-analysis would have created a leader prepared to lose the presidency of the ANC and that of the country in the preservation of his dignity, country and political party; a leader with the courage to tell Zwelinzima Vavi not to sacrifice the history of the Congress of South African Trade Unions in the cult support of an individual and to tell Julius Malema to grow up. Self-analysis would have created a leader who does not try to please so many ideologically differing constituencies in the global public sphere that he ends up contradicting himself on various critical subjects (death penalty, labour policy) in the process.

It is only now, when things are getting out hand, that Zuma has committed himself to rooting out thugs in the ANC.

That Zuma would consciously welcome support from a combination of the excellent, the good, the bad and the ugly means he is ambitious enough to want to be the president of the country.

I see in him a leader mesmerised by his ability to take on Mbeki, even at the expense of the bigger project - the preservation of our country.

Which structure of our society is not divided in his name and that of Mbeki? The Tripartite Alliance? The SABC? Parliament? Our security agencies? The judiciary? Civil society?

If Zuma and Mbeki had not "created" a situation where the ANC was inward-looking and did not pay attention to what it was elected to do - running our country - would we have had xenophobic attacks?

In this context, what evidence is there to suggest Zuma is a leader who will sacrifice himself for the greater good of the country as he once did?

What has Zuma said in public (before being misinterpreted by the media, of course) to make me think highly of him? Does he not sell himself as man of the status quo, a man who needs to defend himself all the time?

Why does he sell himself only as a leader of the "emotional sphere" - a leader who is only personable, approachable, humble, warm and charming? Yes, things are hard in this country, but I sure do not need a nanny for a president.

What also gets to me is that the adjectives that Zuma renders possible to describe his demeanour are the ones that whites mainly use to patronise black leaders. The next thing you are going to hear is that Zuma speaks good English.

Where Mandela would resonate in history as having said "Never, never and never again shall it be that this beautiful land will again experience the oppression of one by another"; and Mbeki as having said "I am an African", Zuma has said: "awuleth' umshini wami" (bring me my machine gun).

This is not misinterpretation by the media or by intellectuals who aim to undermine Zuma, but an image of himself that he voluntarily entrenches in the psyche of the broader public.

What can one make of a leader who, despite his organisation being a repository of images that can be used to mobilise people into good actions, chose awuleth' umshini wami?

What can one think of him when he says South Africans who carry out xenophobic attacks should not use this ANC struggle song when he himself sang this song in his rape trial? Words are not just words; they carry bigger meanings.

What is it, Julius Malema, that made it very possible for Africans to easily appropriate the meanings of awuleth' umshini wami in the attack of fellow Africans? What is it about the meanings of "I am an African" and "Never, never and never again …" that rendered them unusable in these barbaric xenophobic attacks?

What can one make of a leader who perverts culture and customs for his personal survival? What Zuma called Zulu culture in his "rape" trial was as contemptuous of Zulu culture as making a few women pregnant before you marry them and then calling it polygamy.

I am uneasy about the way that Zuma, as a senior political leader in this country, seems to immerse himself in the Zulu royal house.

When the media said Zuma got blessings from the Zulu monarch to win over Mbeki in Polokwane, should he not have roared with anger at this ethnicisation of his candidature? Is the country to have another senior political figure that treats the Zulu royal house, not as an institutional custodian of culture and history, but as a platform from which to mobilise ethnic support?

What can one make of Zuma in relation to black women - the most marginalised, in many respects, group in this country?

Well, if I were to hold a deciding vote on whether or not Zuma should become president of this country, I would abstain.




- Ndlovu is a lecturer in Media Studies at the University of Cape Town's Centre for Film and Media Studies and PhD candidate at the University of KwaZulu-Natal. -


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