106
Hot Traxxx / Re: Cormega Born and Raised
« on: October 25, 2009, 04:20:23 PM »
all bout the mega herez a song that was makin me anti social with them earphonez SONY
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107
Hot Traxxx / Re: G A Sexion 2009 on Reverbnation
« on: October 22, 2009, 07:06:10 PM »
got a feelin therz beats & the hungerz intense.. link up
108
General Discussion / Re: The Germans can go and f*** themselves!!!
« on: October 22, 2009, 06:59:10 PM »
bet u when u a vistor to any country theyd tell u to 'protect ya neck' son.
therez a lot of countries with anomalies & crime high weighted stats.
from the brief probing into SA there was normal life, ghetto chefz, Businezz, partay, grieff mongerz & unorthodoxed gun positionz.
I bet u Sao Paolo or even in Jamaica or Haiti or er'where therez such stuff.
when i was a kid visitin soweto that shit registered way back.. the news/media corps must be the 1.
saw cars jacked, & mo explicit ish last time after 2K, when it comes to stats. we collectively creating this ish we discussin'
there must be places in Gauteng where they New Jersey drive your car & U xzit with a brief jog.
aint from SA Had a good ti'ne when I was thur with guys tryina shoot, jack u ova dime pieces ^2...only cause language barriers were not issue
'er hoodz the same' the media & stress ovablowz it , bet u theyd have a grand time @ the WC, hehe nxt
therez a lot of countries with anomalies & crime high weighted stats.
from the brief probing into SA there was normal life, ghetto chefz, Businezz, partay, grieff mongerz & unorthodoxed gun positionz.
I bet u Sao Paolo or even in Jamaica or Haiti or er'where therez such stuff.
when i was a kid visitin soweto that shit registered way back.. the news/media corps must be the 1.
saw cars jacked, & mo explicit ish last time after 2K, when it comes to stats. we collectively creating this ish we discussin'
there must be places in Gauteng where they New Jersey drive your car & U xzit with a brief jog.
aint from SA Had a good ti'ne when I was thur with guys tryina shoot, jack u ova dime pieces ^2...only cause language barriers were not issue
'er hoodz the same' the media & stress ovablowz it , bet u theyd have a grand time @ the WC, hehe nxt
109
Hot Traxxx / Re: G A Sexion 2009 on Reverbnation
« on: October 10, 2009, 10:12:59 PM »
new shit,
told u a long time ago, this is rap 4 real, sumn we feel...the Cypha representative..
where the EKKS at.. connect dun..
told u a long time ago, this is rap 4 real, sumn we feel...the Cypha representative..
where the EKKS at.. connect dun..
110
Producers - Discussion / Re: Mastering Vocals
« on: October 10, 2009, 01:15:04 PM »
For the genre of music u doin you gotta remember the peak RMS[Root Mean Square] indicated in your compressor. [Compton]WATTS, hehe -11 to -9
That is loud. I really don't see why music has to be that loud. That's what the volume control is for isn't it ? I loaded Gin n Juice from Snoop's Doggystyle the other day. Peak RMS was @ -15db and shit sounds cool to this day. Shows u it's more about mixing that anything else.
But ya, loudness war ne. lol !!!
u got a point that why the Multiband compress is left for engineers with mastering hardware 4 du. u dayz & been doin it 4, ya... dayz
individually compressing frequency bands accordingly.. mixing..
The old lps were ait.. technology did the boom & that's why prestine compressors evolved & signal processing also with software doin it's round in algortihmically mapping
electronic processing to the virtual domain. Mos Def said it. "It's all mathematics"
popped in some really old school ish and the P. RMS was well below to what we have now with improved signal to noise ratios\sensitivity & power handling.
Death Row engineers had quite a lavish studio pre & post budget I guess... All bout the bands...
'Bobby Digital', hehe
111
General Discussion / Re: AG puts a compilation together
« on: October 07, 2009, 06:57:06 PM »Spliffstar- Mr Uncle do wrong. Nice joint, and dope music video.
ill
112
Producers - Discussion / Re: Mastering Vocals
« on: October 07, 2009, 06:47:25 PM »The multiband compressor for the prefinal.
I'm doin this off the head.. your ROOF Gain should be -1 to less than 0 db
therz a threshold wich you must maintain.
gracefully slide that threshold slider till your ear likes it & your speakers and code RED lights dont want to light up & accept the punch without Distortion.
For the genre of music u doin you gotta remember the peak RMS[Root Mean Square] indicated in your compressor. [Compton]WATTS, hehe -11 to -9
Load up your current favorite in wavelab and let the analayzerz do it's thang and notice the spatial convergence, RMS & Gain & Frequency curves
i'll double chk latr
1
Daliq, you're the most technologically sound cat on here, so respect. But I think you might need to explain that a little more clearly. Not everybody has the same level of knowledge of basic concepts as you do bro!
Doin a little tut.. available in word format in the weekend.
SHo
113
Battle One on One / Re: GOTDAMN @ this a**
« on: October 02, 2009, 06:58:46 PM »
I ovastand that hehe very niice
114
Producers - Discussion / Re: Logic Pro 9
« on: October 02, 2009, 06:55:21 PM »
true, the Samplitude editor does the same as melodyne 1..
mouse action the works...your instructor is on some..
mouse action the works...your instructor is on some..
115
General Discussion / Re: Happy Birthday Oints
« on: October 02, 2009, 06:50:05 PM »
yo just wannt 2 wish you on the biffday dun.. the connKT 2 music is divine, beyond real
116
Battle One on One / Re: GOTDAMN @ this a**
« on: October 02, 2009, 06:33:12 PM »
Hope she doesn't know how to pull off a tiga grip with them legs, damn!
117
Producers - Discussion / Re: Logic Pro 9
« on: October 02, 2009, 06:16:55 PM »
yeah, melodyne is SWEET... in Samplitude it's called Elastic Audio
118
Producers - Discussion / Re: Logic Pro 9
« on: October 02, 2009, 05:53:31 PM »
I've Dabled with MOTU Digital Performer & saw some nice features in Logic 8.
I still stick to Magix Samplitude & Sequoia 11. This German Software house is on par or even better that Pro-Tools with the Sound Engine.
Samplitude 10 had elastic audio & Audio Quantisation already while Cubase & 'em catching up. Ableton Live 8 is packing a punch also this time round..
Samplitude is like object orientated programming where you can treat individual slices or the global track with complex sound shaping & warping + settings can be inherited from a template to be applied to different segments in the song structure of a track.
So basically every piece recorded has got its own array of tools which is standalone from the Global track while more treatment can be applied to the Global track etc...
I still stick to Magix Samplitude & Sequoia 11. This German Software house is on par or even better that Pro-Tools with the Sound Engine.
Samplitude 10 had elastic audio & Audio Quantisation already while Cubase & 'em catching up. Ableton Live 8 is packing a punch also this time round..
Samplitude is like object orientated programming where you can treat individual slices or the global track with complex sound shaping & warping + settings can be inherited from a template to be applied to different segments in the song structure of a track.
So basically every piece recorded has got its own array of tools which is standalone from the Global track while more treatment can be applied to the Global track etc...
119
Producers - Production Showcase / Re: Please tell me, what am doing on these drum!
« on: September 30, 2009, 07:52:02 PM »
it doesnt matter in this day @ space time.
MP3z being ripped @ funny numbers & rates and still headz keep nodding.
Just remember the ROOF of -1 to 0 db on your final cut..
on your way UP doin yr thang remember, u need to talk to guys using that funky jargon. group learn that ish. therz hi-fidility ears out in the world
MP3z being ripped @ funny numbers & rates and still headz keep nodding.
Just remember the ROOF of -1 to 0 db on your final cut..
on your way UP doin yr thang remember, u need to talk to guys using that funky jargon. group learn that ish. therz hi-fidility ears out in the world
120
Producers - Discussion / Re: Mastering Vocals
« on: September 30, 2009, 07:35:42 PM »
The multiband compressor for the prefinal.
I'm doin this off the head.. your ROOF Gain should be -1 to less than 0 db
therz a threshold wich you must maintain.
gracefully slide that threshold slider till your ear likes it & your speakers and code RED lights dont want to light up & accept the punch without Distortion.
For the genre of music u doin you gotta remember the peak RMS[Root Mean Square] indicated in your compressor. [Compton]WATTS, hehe -11 to -9
Load up your current favorite in wavelab and let the analayzerz do it's thang and notice the spatial convergence, RMS & Gain & Frequency curves
i'll double chk latr
1
I'm doin this off the head.. your ROOF Gain should be -1 to less than 0 db
therz a threshold wich you must maintain.
gracefully slide that threshold slider till your ear likes it & your speakers and code RED lights dont want to light up & accept the punch without Distortion.
For the genre of music u doin you gotta remember the peak RMS[Root Mean Square] indicated in your compressor. [Compton]WATTS, hehe -11 to -9
Load up your current favorite in wavelab and let the analayzerz do it's thang and notice the spatial convergence, RMS & Gain & Frequency curves
i'll double chk latr
1