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Topics - Vexer

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61
Hot Traxxx / TearGas & Zuluboy
« on: October 29, 2006, 12:28:35 AM »
I got Teargas' album 2day & I must say its the shiznit.

It sounds like a Def Sqaud/Ruff Ryders album with that staccato but refined edgy NY sound epitomised by Eric Sermon, Swizz Beats and company.

I also like the relevance it has to the ordinary cat whether u're a Hip-Hop head or not.

The best album I've heard in a long time.Its really fresh.Let's hope the other local Hip-Hop releases keep up the momentum.

The Zuluboy album cover is definetely on point.Reminds me of the African vernac novels I used to read in High School.Cla**ic.

Haven't had the chance of listening to his stuff though.Too many people hogging the head phones @ the record store.

Would love to know what u guys think of Zuluboy or if anyone can post his joints for me to listen to.

Thanks.

62
General Discussion / "Ruthless": New Eazy-E & NWA book by Jerry Hel
« on: October 28, 2006, 04:44:41 PM »
Just finished reading this book.

I would recommend this book to anyone. It's by Jerry Heller a Jewish guy with a college degree and from a respectable family background who founded Ruthless Records with Eazy-E.

Jerry Heller's roots in the business run deep frm the 50s onwards.This guy managed John Lennon, Marvin Gaye and a whole bunch of really top notch artists in the business and he even talks about Hugh Masekela in LA in the late 60s.

He knew Barry Gordy, the founder of Motown as well as all the Execs at the top of the music biz today like Clive Davis and David Geffen.

Despite the fact that he's a veteran of the game, Jerry Heller's been dissed hard by Ice Cube in "No Vaseline" by Dre in "Dre Day" and most recently by the Game in "No more fun and Games".

He's basically been regarded as the white villain that exploited Dre and them and generally has had a bad rep for years in Hip-Hop.

This book is his personal memoir and it chronicles the entire inside story of NWA, Ice-Cube, Dre, Eazy, Ruthless and the start of Death Row records.

It reveals some interesting facts like Ice-Cube was really just an angry nerd and despite the diss to Eazy on Dre-Day, Eazy-E still got paid 20c off every dollar off the Chronic or other Death Row releases that Dre worked on even though Dre had left Ruthless and was dissing the shit out of Jerry Heller and Eazy-E.

It also reveals that Eazy-E was mistakenly invited to lunch by the first George Bush when he was President and Eazy-E had lunch with George Bush despite the flack NWA was catching from the gov for "f*** tha Police".

I didn't even know that the FBI sent NWA a cautionary letter for "f*** tha Police". Still despite this Eazy-E had lunch with the President. A true baller for real.

It also puts into perspective the downplayed contribution that Eazy-E personally and NWA as a group made to the transformation of Hip-Hop from the political Public Enemy era to the more abrasive gangsta politics of "Straight Outta Compton".

The book had me reminiscing about the first time I heard "f*** tha Police" and that hilarious skit called "The art of sucking dick".

It also breaks down the whole NWA story and takes u into the depths of the american music business.

From the involvement of the mob, gangsters, drugs, groupies, ambitious vultures like Suge Knight etc and how all this intersected at Ruthless.

Its a really good book and the good thing about it is its not for headz only.

He takes u to a time when everyone who's powerful in the business today was starting out.

This book is the shit and this guy gives u a real insider's look on how it actually works from contract negotiations to concert promotions and the everyday hustle of it all including the highs and lows of the music game.Its really opened my eyes.

Its more than just about the NWA drama.Its also about the journey of one's man life and his love for music.

From the Beatles, Quincy Jones and Frank Sinatra era to the Gangsta rap era this guy takes u thru the entire history of the industry and shows u how it was made to be what it is today.

The cool thing about it is the info from someone who was actually involved and had relationships with the people he's talking about.

The book's also written in a very good satirical style.

It also shows you how Suge Knight is some ways salted and f***ed up the game by trying to make rap about real gangsterism whereas guys like Eazy-E and NWA were just actors making out stories and parodies to prove a point.

Its like the violent beefs started with Death Row and Suge.  

The book's not yet available in SA or other African countries but you can order it online from Amazon.

I would recommend the UK Amazon site coz the delivery turnaround time is much quicker than the US one.

You can also download the Jerry Heller interview from daveyd.com another dope Hip-Hop site which caters to mainly more mature headz.

Here's the link.Take the time to check this out.Trust me, you won't be dissapointed.

http://odeo.com/channel/3681/view

63
General Discussion / Hip-Hop : From Illmatic to Jigga : Is Hip-Hop Dead?
« on: October 20, 2006, 10:01:09 AM »
I was listening to Illmatic last nite and realised just how much Hip-Hop has changed since then.

Things have gotten to a point where I feel like I'm actually refusing to accept reality by holding onto a vision of Hip-Hop that in reality doesn't exist anymore.

Everything is different now and I think Nas is correct in naming his forthcoming album "Hip Hop is Dead".

I think Hip-Hop is really dead.Its just become so nihilistic and tiring.

If its not on a nihilistic tip then its on some sambo Southern sh*t like "Laffy Taffy".WTF?

Jigga's reign to me has destroyed Hip-Hop now cats like Morale can call themselves "The Truth" and people believe that sh*t.

Did the definition of "truth" change while I was asleep or something.

I don't know, maybe I'm not looking or searching deep enuff but back in the days the underground we had was Buckshot and them and they weren't too hard to find.

Now the underground has turned into some obscure elitist sect making spacey nerd sh*t.

Its like being underground has turned into a reason for being wack and deflecting criticism.

I don't know but sometimes I feel like giving up on Hip-Hop.

Wha do you guys think?

64
Hot Traxxx / New Mizchif Track
« on: October 16, 2006, 07:11:32 PM »
This is also on "Party & Bullsh*t".Tell me what u guys think.Its for the Summer.

[attachment deleted by admin]

65
Hot Traxxx / New Middle Finga Track
« on: October 13, 2006, 08:16:25 AM »
This one's called "Boom Boom" from a compilation called "Party & Bullsh*t" I'm working on.Tell me what u guys think.

[attachment deleted by admin]

66
Hot Traxxx / Hype No.1 Unsigned MC-Morale-What?
« on: October 12, 2006, 09:30:53 AM »
I think the first issue was excellent.My only problem was the props given to that Morale cat.

C'mon now.Did that dude deserve TWO tracks.I mean to me he's just an example of what listening to too much Jay-Z can do to an MC.Especially where your life doesn't even remotely match to his.

I just don't get his lyrics.They just don't sound believable to me.Its like he's living mad baller fantasies or something.

Rhamncwa and Jitzvinger can clearly destroy that dude lyrically, poetically or whatever.

I just don't understand the criteria used to give that dude so much props as an MC.

As a man I don't know him and have no reason to diss him, but as an MC I think homeboy really sucks.What baffles me even further is that he was given the top spot on the unsigned MCs ranking??

Is Morale really the future of S.A. Hip Hop?Are we gonna hold Morale up to other people as our representative?Seriously now. Would people respect that and our culture and what we're trying to do with this local Hip-Hop thing.

I don't think street cats or the average joe would feel that Morale style.I mean who would seriously believe what that dude is saying?

Maybe I'm just hating or am I missing something.If I am, please educate me?

67
Hi.Just a situation I wanted to get ur views on.

I submitted a beat CD to Shameema of Godessa and she told me that she would like to use some of the beats however they don't pay for beats.

I a**umed bcoz she was quite established in the industry she would pay something at least for tracks she might want to use.

Was this a bad offer/deal or is it common in Hip-Hop for established groups to not pay for tracks.

I said I would get back to her but I didn't coz I didn't feel like it was a good deal for me.

She was cool though and she was definetely not arrogant or condescending and she also helped up my production game a bit.I learnt quite a lot from my interaction with her as well.

However, I wasn't comfortable with a free beat situation.

Have any of u guys been paid for beats by industry cats and if so how much or what were the terms?

68
Producers - Discussion / Sample Clearance
« on: October 11, 2006, 11:18:00 AM »
I produced a track containing an obvious Judith Sephuma sample.I'm hesitant to even try getting it cleared coz I understand its difficult getting local S.A. tracks cleared.

Is this true or is this just an urban legend?How do I go about getting the sample cleared.

I would also like to know in general how you guys went about getting sample clearances whether it was for a sample from a local or international track.

Again your help would be appreciated.

69
Producers - Discussion / Hipe & Jitsvinger-Contact
« on: October 10, 2006, 03:40:19 PM »
Hi guys.I'm new to the forum.Can't believe I wasn't aware of this place.

I'm based in Cape Town & I'm working a compilation called "Party & Bullsh*t".I'm busy recording and yesterday I bought HYPE and heard a track called "HYPNO" by Jitsvinger and produced by Hipe.

I'd like to get in touch with these guys does anyone have either one of their contact details.

Your help would be greatly appreciated.

Thanks.

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