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91
General Discussion / Gito Baloi RIP
« on: April 11, 2004, 01:58:00 PM »
Defeated and with tears flowing freely, Gito Baloi´s wife sat on a dirty downtown pavement, keeping a vigil next to his lifeless body in in the early hours of Sunday.

Surrounded by crying friends, Erika Hibbert was too distraught to speak. She had just lost the love of her life.

Close friend Dave Reynolds this week spoke about the awful dash downtown in the middle of the night and how he found Hibbert already at her husband´s side.

"What do you say to someone who has lost her husband like that? It was one of those moments [in which] you had nothing to say," he said.

Baloi, 39, escaped the violence of the then war-torn Mozambique in the 1980s to make a life and successful career for himself in South Africa.

But the man who Reynolds described as being "not afraid of anything" became a victim of the crime that dogs downtown Joburg.

He was shot three times in the neck for his wallet at about 1.30am last Sunday.

The ba**ist and singer for the internationally successful group Tananas - whose last album was called Alive in Joburg - had a deep love for the city and was a trustee of the Performing Arts Project of the Inner City Initiative, aimed at using culture to revive the downtown area.

"He knew no borders," said Francois Venter, co-ordinator of the project.

"He lived in Soweto, Berea, Yeoville and then Troyeville. He did not restrict his movement in the city and was as comfortable in Saxonwold as he would be in deep Soweto."

At an emotional memorial service on Wednesday evening at the Newtown Music Hall, a poem by Baloi´s friend Steve Faulkner was read out: "Last night a man was lost to us / On the streets of a city he marvelled at..."

During the service, attended by a huge number of Joburg´s art and music community, Hibbert sat hugging their daughter Tiva, burying her face in her hands.

Radio and TV personality Tim Modise hosted the event which was attended by entertainers including Jennifer Ferguson, Tananas guitarist Steve Newman, ba**ist Victor Masondo and representatives of the Mozambican government.

Friends reminisced about a man who cooked, washed the dishes and took his children to school.

In tribute to their slain friend, Newman played a haunting guitar piece while singer Mercy Phakela sang a Xhosa hymn.

Other performers included young Mozambican group 340ml, who had been given a break when "Uncle Gito" had allowed them to use his studio.

Hibbert, too distressed to speak to the media as she prepared for the funeral in Maputo yesterday, was holed up in the family´s Troyeville house. Friends said she had difficulty sleeping and was being comforted by relatives and her daughters Lorha, 9, and Tiva, 7.

"Gito wanted people to feel his music and to live with love," she wrote in a message read out at the memorial.

The death of Baloi has caused outrage at the lawlessness of downtown Joburg. Nugget Street has none of the closed-circuit TV cameras that have been credited for bringing crime levels down in other parts of the inner city.

Neville Harkman of Cue Incident, which operates the cameras, said it was Baloi´s misfortune to be at a place that did not have cameras. "This tragic death shows it´s absolutely necessary to roll the cameras out."

He described the Nugget Street area as "not properly managed".

"Crime flourishes and illegal activities such as drug deals are rife," he said.

Kenny Fihla, chief executive of Business Against Crime, said his organisation was saddened by Baloi´s " vicious and violent" killing.

Baloi´s killers are still on the loose. Police spokesman Captain Schalk Bornman said investigations were continuing.

"No one has been arrested, but the Special Task Team is busy with investigations and we´ll know when there´s a breakthrough."

In the meantime, friends and family have set up the Gito Baloi Memorial Trust Fund to help secure the future of his daughters.

"Gito started with little and never begged for money. Musicians are not highly paid and don´t have benefits such as medical aids," said Reynolds.

However, Baloi has left his children and the Southern African music community with a legacy of music by which to remember him - an album, as yet unnamed, is scheduled for release later this month.

sundaytimes


What a loss !!!  R.I.P. :-[ :-[

fah

92
General Discussion / MADvillain
« on: April 09, 2004, 07:05:00 AM »
http://www.stonesthrow.com/photos/madvillainy/index.html" TARGET="_blank">MAKING OF MADVILLIAN :-W

93
Hot Traxxx / Illmatic - 10 anniverssary platinum edition
« on: April 01, 2004, 04:06:00 PM »
no jazy-nas debate please!

My question: have any of you picked this up? Is the sound quality on this re-mastered version really that MUCH better than the original? I mean generally these digitally Re-Mastered cds, are they worth pickinmg up or i should just be happy with the original copy(unless the sound quality was crap like cough, cough, MF DOO.. cough :-] ) ?

I personally feel cheated cause I picked up the vinyl for about twice the price they are selling it now (the re-issue lp is like R60 or even less nowadays). Might pick it up for Star Wars though.

94
According to the New York Daily News:

Mase back on the case

Nineties megastar rapper Mase has had a career changing epiphany - again. The rapper-turned-pastor, who left music to preach as Dr. Mason Betha, is planning a hip-hop comeback.

Betha retired from rap in 1999 to minister to the 1,500-strong S.A.N.E. Church International in Atlanta.

In his heyday, Mase was featured on hits by his mentor, Sean (P. Diddy) Combs, as well as Notorious B.I.G., Mariah Carey and Brian McKnight. But he went on to sharply criticize the music industry from his pulpit.

A source tells us that although he is still contracted to P. Diddy´s Bad Boy Entertainment, Betha is trying to work out a comeback deal with Nelly´s label, Fo´ Real Records.

"Yes it is true," Fo´ Real President Ed Holmes told us. "But we´re in the process of trying to structure something with Bad Boy to allow Mase to do this project."

When asked whether Mase would be recording Christian rap, Holmes replied, "No! It´s definitely hip hop. There´s no profanity, though. He´s still talking about relevant issues."

Betha did not return calls.

here is the link:  http://www.nydailynews.com/03-29-2004/news/gossip/story/178175p-154943c.html" TARGET="_blank">www.nydailynews.com/03-29-2004/news/gossip/story/178175p-154943c.html

mase can you please stop smoking  la la, ha ha - fah

95
General Discussion / San fight to keep Kalahari hunting grounds
« on: March 26, 2004, 03:41:00 AM »
San fight to keep Kalahari hunting grounds

Date:     05 Mar 2004

Following the seasonal rains, the Kalahari Desert in central Botswana is alive with rolling waves of green gra**es and stretches of bright yellow wild flowers. Large herds of antelope munch the vegetation and canter across the plains. Jackals and hyenas lurk nearby to pick off the stragglers.

Morua Kgoma (62) has picked a pouchful of tasty berries. He has also plucked fresh, pulpy leaves and pounded them in a mortar to make a kind of bush pesto. With long, elegant fingers Kgoma has expertly uncovered tubers that look like new potatoes and small onions. He will roast them over a fire for an evening meal.

"There is lots of food here," he says. "We can always survive here. We know where to find our food. This is where we were born and where we belong."

But life has become increasingly difficult for Kgoma and the other San people of the Molapo community. The Botswanan government, in an ongoing campaign to force them off the Kalahari, has cut off their water supplies, closed schools and health clinics and stopped paying monthly pensions to the elderly and disabled.

Government officials have trucked them away to bleak settlements. The government campaign now faces a legal challenge by a coalition of San and human rights groups. Molapo is the last stand of the San people, the resourceful hunter-gatherers who were the original inhabitants of southern Africa and have lived here for at least 40 000 years.

"We don´t want to move away from here," says Kgoma. "We can dig for water and find the other things we need.

"My children have all scattered," he says of his five offspring. "Some got jobs, others moved out when they could not get water. But I want to stay. When I sleep here I know my ancestors are nearby. When I wake up in the morning and I sneeze, I know my ancestors are with me."

Kgoma is surrounded by the most of the remaining inhabitants of Molapo. Once a community of more than 1 000, just 58 people have stayed.

"We don´t know what will happen in the future," he says. "We keep listening and hoping that the outside world will bring good news. But the government wants to throw us away. We don´t know what is going to happen to us."

Way of life

The Central Kalahari Game Reserve was made a national park in 1961 specifically to protect the San´s habitat and way of life. Now almost all of the country´s San people live outside the park and cannot freely carry on their hunting and foraging traditions.

It is estimated there are 60 000 San among Botswana´s 1,6-million people. They are distinctive, with light brown skin and high cheekbones, and speak a musical "click" language.

The Botswanan government of President Festus Mogae claims that it is merely "persuading" the San people to leave their ancestral lands. "The former residents of the Central Kalahari Game Reserve have been encouraged to move out for two fundamental reasons," said government spokesman Clifford Maribe. "Firstly, their modern economic activities, be it hunting, arable and/or pastoral agriculture or some other commercial activity, are inconsistent with the status of the game reserve.

"Secondly, the people have been encouraged to move out to give themselves and their children the benefit of development."

Critics claim the government is forcing the San off the Kalahari park because it does not respect their ancient culture. Others say the government wants to have total claim to possible diamond deposits on park lands.

The most militant supporter of the San´s rights to stay on the Kalahari is the London-based group Survival International. "The government claims it wants to move the bushmen off the Kalahari park to protect the wildlife on the park and because it is too expensive to provide them with services in remote areas," Survival International director Stephen Corry told The Guardian.

"These reasons are clearly spurious. There is plenty of game on the park. The government is spending more money relocating the people than it did to provide them with basic services.

"The government also says it is relocating people for their own development. But the people are miserable in the new settlements. We can only conclude the Botswanan government wants to move the bushmen in order to have full claim to diamond rights on park lands."

Corry said his organisation would continue with its 20-year campaign to support the San people through petitions, demonstrations and boycotts of De Beers diamonds and tourism.

The San have been moved to settlement camps where there is little sign of positive development. Beer halls appear to be the chief economic activity at the settlement of New Xade, where most of the people of Molapo have been resettled. Alcoholism is rampant, according to development workers. Visitors are quickly besieged by beggars, indicating the extent of demoralisation. A new school and a hospital have been built for the several thousand San residents but the rubbish-strewn settlement consists mostly of thatched huts on dusty plots. Water taps are provided throughout the camp. Despite so many people being concentrated in a small area, they do not have toilets. "These people just want to go in the bush," says a government development worker dismissively.

In early February five San men were arrested for illegally hunting antelope and could be jailed for up to two years if found guilty. Anger erupted in New Xade as people stoned police escorting the men to court.

A government-funded project provides employment for some San people who make bricks and another teaches agricultural skills. But overall the settlement is depressing and dispiriting.

Hope

The hope of the San people to regain their lives on the Kalahari rests on the legal challenge, which is expected to come to court in May. It alleges it was illegal for the government to shut off water supplies and other essential services to the San communities on the Kalahari game reserve and to refuse to issue them with hunting licences. The case, which is being brought by a coalition including the First People of the Kalahari, the Working Group for Indigenous People in Southern Africa and Ditshwanelo, the Botswana Centre for Human Rights, argues that the government is obliged to restore the San to their traditional land.

Alice Mogwe, director of Ditshwanelo, says the plight of the San is "part of the biggest human rights challenge in Botswana". They are "the poorest of the poor in Botswana" and the government has deprived them of their hunting rights.

Mogwe suggests the government does not intend to destroy the San culture, but it does not know how to allow the San to be part of their development. She said a plan was drawn up to allow the San to continue living in the Kalahari park.

"We had a vision of them being able to live in the park and be involved in sustainable activities, like walking safaris," she said. But in 2001 the plan broke down.

Mogwe says she hopes the court case will convince the government to return to the drawing board to come up with a better solution for the San people.

"The tragedy is that we are replaying what was learned in colonialism," said Mogwe. "We don´t want that to happen to the Basarwa [the Botswanan name for the San]. We want them to remain who they are and yet be a part of Botswanan national culture. We believe it is possible to do both. They need to have a sense of belonging. But how can you achieve that if their basic rights are not recognised?"

Back at Molapo, night has fallen and Morua Kgoma gathers with others around a fire. He tells stories of how the ostrich lost the ability to start fires and why the noses of the white man and black man are different. He uses the sand in front of him to trace illustrations.Considering the difficulties of his people to stay on their land, Kgoma draws in the sand. "We are like a circle within a circle," he says. "We are the small circle inside and the Botswana government is the large circle surrounding us. We need to find the way to stop being separated."
- Guardian Unlimited © Guardian Newspapers Limited 2004

96
Hot Traxxx / Star wars!
« on: March 18, 2004, 02:28:00 AM »
STAR WARS!
yes it leaked! large professor on the beat, I like this track too much to keep it to myself. Get the album when it drops.
:-o




[ This message was edited by: fahfee on 15-04-2004 17:10 ]

97
Hot Traxxx / new krs
« on: March 17, 2004, 03:27:00 PM »
Quote:
You can download Krs-One´s new album (his 13th) at http://www.templeofhiphop.org/" TARGET="_blank">www.templeofhiphop.org/

It´s called "Get Right", its in the downloads section, you just gotta sign up first.



damn krs is flooding the market, last he had 2 albums (Krystyles and Digital)but I only had the chance to peep one of them and  this year he has a new 1 out already. Also a new krs dvd coming out in May.

fah

98
General Discussion / 10 Years later- illmatic interview
« on: March 10, 2004, 05:26:00 PM »
VIBE - April interview

http://cdsampler.com/img.cgi/25365.jpg">

THE PERFECT 10

Some people would say that having a cla**ic debut is both a blessing and a curse.  Do you agree?
I don’t believe in curses.  They say Illmatic is a cla**ic, but it’s the album that sold the least for me.  If I would’ve never sold any records afterwards, I guess it would be a curse.  But because it’s so critically acclaimed, it gave me a foundation for the rest of my career.  Now, I look at guys and their first albums, and there are no debut cla**ics anymore.  I think that’s a shame.  I’m always gonna be happy with myself that my debut was a cla**ic.  I think that’s what every new artist strives for.

Did you think you’d still be making music 10yrs after your debut?
I was just gonna do one album, get some money, move out my apartment, and go to film school.  I love rap, but I was wanted to get that out and get the f*** out the hood.

Do you still think about Film school?
Yeah.  I was supposed to be in film school last month.  I had to do other shit, so I’m looking for cla**es now.

Illmatic was only 9 full songs.  Why would you put a record out with just nine songs?
I didn’t do it consciously.  I didn’t count the songs.  It had a feeling that it was whole.  But when I realized that there were only nine records, I thought people would think it was too short.  And when it was first mastered, some people at the label did think there weren’t enough songs.  Some people were thinking they only had half an album.  There are no songs to grab just a certain market- like this is my party record, this is my up-tempo record, this is my “bitch” record.  It’s just a straight album.

What about songs like “Just Another Day In the Projects”, “I Got Game”, “I’m a Villain” and “Understanding”, and the songs that became the Lost Tapes?  Why didn’t they make the cut?
I never expected anyone to hear those records.  Those were my first recordings.  I did 5 or 6 records under Eric B. & Rakim’s studio time.  They worked in the studio right up the block from my projects.  Large Professor was working with them; he always called me down whenever Rakim wasn’t there.  Kool G Rap would be there sometimes, and I still felt confident.  I was 15, and I still felt confident to say what I had to say, even surrounded by those heavyweights.

It seems like Queensbridge was a character on Illmatic.  It’s like this record was dedicated to your environment.
When me and my friends listen to Illmatic, we think about America and about how we had to live at such a young age.  I was just barely 18, and I was already thinking about being retired because of the life you’re forced to live in a neighborhood like Queensbridge.  I saw my best friend die before my eyes.  I saw my little brother being shot up.  I saw friends of ours- crackheads who were hustling for us then- being choked to death right in front of us by the police bringing them into their van.  I saw my man, may he rest in peace, hustling while his moms smoked right in the next room.  He’d hand her shit so she didn’t have to go outside looking for crack and get into trouble.  And my mom was struggling with me, trying to keep me in school.  And I’m starting to realize that my moms can’t spoil me no more, I gotta go out and get my own.  Becoming a man is what I learned.  And I put that into my music.  And when I listen to it now, I say, God, this is what was on my mind at this age?  How can that be?  How can it be that this is what my reality was?

Do you think it’s hard for today’s artists to be raw and honest on a record because they are too concerened with the record game?
These kids gotta ask, “What is rap? And why am I rapping?”  There’s somebody out there whose mind is open, and they’re saying, “I’m gonna take this shit to the next world.”  When you know, you know.  ‘Cause I knew, at 15, I was gonna change the game.  And honestly, I still haven’t seen anybody do that yet.  There’s no one here to reshape it with honesty, lyricism, and music being one together movement making total sense.  I mean, of course there’s Outkast, who’s original, so they inspire you to be original, which is great.  And you have Eminem, who is white and showing you another aspect of the game.  And Ghostface.  But besides that, I don’t want to dis nobody, but there is no one who has come and raised the bar since Illmatic.  And I am praying that there is, because it’s not about me, it’s about the music.  I would love to hear the new ways the game will be taken.

What are some of the best memories from making the album?
Taking the cabs, because I didn’t have a car.  Or going up into D&D Studios with Premier.  Our poisons were a gallon of Hennessy and milions of blunts.  I’d be waiting for whoever to finish up, and right in that lounge I’d meet other artists like Black Moon, MOP, all kinds of rappers.  And then to get in there, go through books of rhymes, and just sit and make songs.

Did you choose NY State of Mind as the 1st cut to really set the tone of the album?
With that beat, Premier captured everything I was, everything I was trying to say, everything I wanted people to know about me.  It shaped and molded my album.  Pete Rock would just give me a bunch of beats on tape before I even really started working on my album.  He’d play me beats up in Mt. Vernon in his basement.  Every other producer had come to me, to Queensbridge, to get to know me.  It was like, “Yo, come out here with us while we run some errands, or just hang out at a girl’s house and smoke blunts, or just drink and talk.”  These were the guys that came to really feel where I was coming from.

That explains the album’s cohesiveness, but was there some sort of blueprint you followed to make it so relatable?
Everybody’s album is a street album today.  But back then you had no manual to learn how to make an Illmatic.  Kool G Rap was lyrically a genius.  It was his rapping gymnastics that taught me.  Rakim was a genius for what he was doing with his flows.  But this wasn’t even about necessarily being a nice rapper.  It was being able to describe my life and the life that kids were living in America at that day and age.  There was no script for that.  Now, everybody knows how to go in there and make a Ready to Die or Life After Death or make a fake Makaveli album.  There were no rules on how to make an Illmatic.  So this was raw, out of the heart.  Out of life.

99
Hot Traxxx / 2004 releases
« on: February 27, 2004, 07:51:00 PM »
What releases are you looking forward to this year?

some of the stuff coming out:

________________________________________

Method Man
US Album Date: May 18th
Intl Date: May 17th
Album Title: Tical 0: The Prequel
Tentative Tracklisting:

1. "Rza Intro" (Produced by Rza)
2. "Da Intro" (Produced by Rick Rock)
3. "Say What" feat. Missy Elliott" (Produced by P. Diddy and Dofat)
4. "What´s Happenin feat. Busta Rhymes" (Produced by Scratchator)
5. "The Motto" (Produced by Nasheim Myrick)
6. "We Some Dogs" feat. Redman and Snoop Dogg (Produced by Denaun Porter)
7. "The Turn" feat. Raekwon (Produced by Rza)
8. "Tease" feat. Chinky (Produced by No I.D.)
9. "Mef Kids skit" (Produced by Method Man)
10. "Never Hold Back" feat. Saukrates and E3 (Produced by E3)
11. "Rodeo" feat. Ludacris (Produced by Jahmal Gwin)
12. "Baby Come On" feat. Kardinal Official (Produced by Fafu)
13. "Ain´t A Damn Thing Changed" feat. O.D.B. (Produced by Jellyroll)
14. "Black Ice Interlude" (Produced by Dofat)
15. "Crooked Letter I" feat. Streetlife (Produced by Denuan Porter)
16. "The Show" (Produced by Self)
17. "Afterparty" featuring GhostFace (Produced by Quran Goodman)
18. "Act Right" (Produced by Rockwilder)

________________________________________

TONY TOUCH PIECEMAKER2

1.    "Tony Navaja - Ruben Blades"    
2.    "Non Stop" (feat. G. Dep/Black Rob/P. Diddy)    
3.    "How You Want It" (feat. Keith Murray/Erick Sermon/Redman)
4.    "Capicu" (feat. Juju Of The Beatnuts/N.O.R.E./Fat Joe)
5.    "Rock Steady" (feat. U-God/Method Man/Raekwon)    
6.    "Dimelo"    
7.    "Click Bang" (feat. Doo Wop)    
8.    "Ay Ay Ay" (feat. Sean Paul)    
9.    "Just Be Good To Me - Soni"    
10.    "Spanish Harlem 2" (feat. Hurricane G/Cocoa Brovaz)
11.    "Spit 1" (feat. Q-Unique)    
12.    "Out Da Box" (feat. Masta Ace/Pete Rock/Large Professor)
13.    "Trouble On The Westside Highway" (feat. Slick Rick)
14.    "A Beautiful Day" (feat. Nature)    
15.    "Touch 1 Touch All" (feat. Dead Prez)    
16.    "Como Suena" (feat. Don Chezina)    
17.    "Spoken Word - Joey Aponte"

________________________________________

Pete_Rock-Soul_Survivor_II May?

________________________________________

Masta Killa?

________________________________________

Artist:   Mobb Deep   
Title:   America´s Nightmare   
Producer:   Havoc / Alchemist
1.    "The Code"    
2.    "Dump Dump Dump" (feat. Nate Dogg)    
3.    "Clap Those Thangs" (feat. 50 Cent)    
4.    "Money Rolls"    
5.    "Real Gangsta"    
6.    "Got It Twisted"    
7.    "The Life"    
8.    "Gangstaz Roll"    
9.    "One Of Ours"    
10.    "Amerikaz Nightmare"    
11.    "Favorite Rapper"    
12.    "Shorty Roc"    
13.    "Human"

________________________________________

XXL´s 10 Most Anticipated Albums of the year....


1. Eminem Title TBC - due out forth quarter.
2. Dr Dre Detox - due forth quarter.
3. 50 Cent Title TBC - due third quarter
4. Kanye West College Dropout Already out
5. Baby & R Kelly Ghetto Thriller Due second quarter.
6. Dead Prez RBG Due third quarter.
7. Rakim Title TBC due second quarter.
8. Ghostface Pretty Toney due second quarter
9. Clipse Hell Hath No Fury due second quarter - ha ha
10. M.O.P. Ghetto Warfare due second quarter

________________________________________

[ This message was edited by: fahfee on 28-02-2004 10:55 ]

100
Hot Traxxx / anyone...
« on: February 25, 2004, 11:41:00 PM »
help me with the following albums?

Organized Konfusion - Organized Konfusion(Holywood Basic)
Lord Finesse&Mike Smooth - Funky Technician
Lord Finesse - Return of the Funky Man
Diamond D - Stunts, Blunts...

i know i should be having these already but I dont and I´m banned from soulseek and dont access to mirc now so help me out! Milk????





101
Hot Traxxx / BUILD&DESTROY - THe OATH OF THE QUEENSBRIDGER
« on: February 25, 2004, 10:57:00 PM »
BUILD&DESTROY - THe OATH OF THE QUEENSBRIDGER
for all QB fans, fans of the gulliest music ever made:

These are the laws as set by "the realest" n*ggas ever to set foot on this planet. AS a fan of QB music, which is too deep just to be called rap you are binded by these rules.. THUNN! QB 41st side! 25-life!

1. NAS is the greatest lyricist of all time. Thunn!

2. Due to their invaluable contribution to the NY Thug Music, Prodigy, Alchemist and Noreaga are to be regarded as true sons of QB projects although they were not there when Cormega got shot in the thigh, etc...

3. Noreaga is the most charismatic n*gga to ever touch the mike (this is possible because of rule#2)

4. Prodigy of Mobb Deep aka P is the realest n*gga ever
This despite getting murked by Keith Murray and having attended art-school.
This honour is possible only because of point#2. "drinking Henny straight from a plastic cup" Gully Dunn!

5. Mobb Deep is so gangsta even 2pac was a SHOOK ONE
Jayz is lucky tha MOBB didnt retaliate after he called ´em out for being "fake gangsta´s". remember DRop a gem? nuff said.

6.Havoc is the best hiphop producer,naturally taking after the legendary QB beatmeister MARLEY MARL

7. "HIPHOP STARTED IN QUEENSBRIDGE" - MC SHAN (<--- he said it!)

8. MC Shan helped pioneer this more than KRS-1

9. Lake is the most gangsta rapper after P

10. Cormega is the most lyrical mc after Nas

11. Only Cormega is allowed to diss Nas because we all know: he doesnt really mean it.

12. Tragedy Khadafi aka Intelligent Hoodlum deserves hiphop-Mogul-status for founding 25-life records.

13. CNN-War Report deserved a "the source" rating of 5 mics. "Arab Nazi!"

14. In fact: every QB album deserves 4mics and over! Yes even Nastradamus!

15. Alchemist is the best hiphop producer after Havoc.

16. Craig G is the best battle rapper out there today. Why? You guessed right: because he is from QB!

17. Since he moved from QB to Marcy(BK), Nature is stripped of his thug-status and will no longer be allowed near QB or to perform any more QB music. damn "purse-snatching Nature"!

18. Cormega´s "The Testament " is the best and most gangsta unreleased Def Jam record. aight KICKO!

19. Jungle (Nas´ brother ) and Grand Wiz are decent rappers. Its just that their debut was criminally slept on! Anyway who cares about their mic skills, Jungle got P´s chain back after some stick-up kid took it. That´s gully right there, word is bon´. You see like P said on "Hell ON EARTH" : "sticking up the stick-up kids!".

20. The top five mc´s ever are as follows: Nas, Cormega, Prodigy, N.O.R.E and MC Shan.

Shout out to POET from Screwball, Noyd, 1st Infantry, Big twinz,Nashawn aka Millenium Thug, Horse former Braveheart/ former rappin bodyguard

Rest in peace to all the QB soldiers. Pour out a little Henny(or whatever liquor you have) for: my n*gga Yammy, Ill Wil, Wo wop, and Killa Black.

*more to follow* :-]  41st side of things! ha ha

102
General Discussion / END OF AN ERA
« on: January 22, 2004, 11:24:00 PM »
RAWKUS IS DEAD

 Though the labels employees have already been notified, Rawkus  will officially cease operations on 1-31-04. What does that mean for its artists? Look for Pharaohe Monch (who I just happened to see driving his whip in front of the deserted Rawkus offices on the day the closing was announced) and Mos Def to get picked up by Geffen, with the rest of the artists, like their employees, being unfortunately a**ed out (we are hearing potential rumors of Skillz going to Koch). In lieu of the announcement, we got some comments on the closing by former Rawkus artists and employees. - Matt Conaway

Charles Tremblay - "It was a very sad object lesson about the state of the music business and so called Indy hip hop. I take no pleasure from their demise."

Cage - "Two idiots walk into a bar; they meet a few black guys and leave the bar with a greater understanding on what it means to be black. Then they jump in front of a bus, barely alive, they blow each other until they bleed to death."

Grahm Oliver - "They didn´t have a single release in ´03. I think everyone saw it coming. It´s been over since they laid me off!!"

Mr. Eon - "They were one of the pioneers of the modern underground and made their mark, but ultimately lost sight of what they stood for and thus didn´t have an identity."

El-P - "It´s hard to keep a label alive. It´s even harder when you don´t put any records out and spend millions of dollars a year. Pour out a little liquor."

hiphopsite.com

:-[

103
Hot Traxxx / Queensbridge mixCD
« on: December 01, 2003, 08:40:00 PM »
Ya know sometimes it gets cold, freezing, snowy, dark clouds, etc... and you wanna listen to what P calls "some killa shit" (at the beginning of The Realest) ? Well, probably not cause its mid-summer down there, but ya know what I mean. I have seen Cormega and Nore fans here so help me out, i need to make a BEST OF QueensBridge mixCD.

2 conditions:
- NO Nas songs!
- Only songs by QB artists should be listed (Prodigy and Noreaga are exceptions)!

so go ahead pick songs from the following albums or others that I might have not listed:

Mobb Deep - Infamy, Hell on Earth, etc
Prodigy - H.N.I.C
Noyd - Only the Strong, etc
Infamous Mobb - ?
CNN - War Report, etc
Tragedy Khadafi/ intellligent Hoodlum - Still Reporting, etc
Ill Will presents - QB`s finest
Lake & 41st presents - QB`s finest
Nature - Wildgremlinz (ha ha)
Cormega - True Meaning, The Realness
Mc Shan - ?
Craig G - ?
Poet (from SCREWBALL) -?

did I forget anyone?



So Drop your 16-track deep selection NOW! the songs with the most votes will make the cd. I`ll drop my 16 tracks later...

[ This message was edited by: fahfee on 01-12-2003 12:40 ]

104
Hot Traxxx / leaked Em diss to Can-a-Bitch
« on: November 26, 2003, 08:01:00 PM »
HAHAHA, some funny ish,
leaked old diss to canibus. this is one of 14 tracks eminem did in retaliation to Cani´s horrible C:hollywood true stories.

http://www.soundclick.com/bands/8/punjrmusic.htm

or

http://www.aurorasw.com/jeffrey/411/eminem-can_a_bitch.mp3

+ its much better than that BULLY diss to Benzino.

105
General Discussion / Slick Rick OUT of jail!
« on: November 13, 2003, 02:37:00 AM »
Rapper Slick Rick, whose real name is Ricky Walters, was finally released from a Bradenton, Florida, INS detention center on Friday (November 7) after 17 months of incarceration. Slick Rick was granted his freedom by Judge Kimba Wood of the U.S. District Court of the Southern District of New York on Friday, October 31. Wood ruled that the Board of Immigration Appeals should never have reversed its earlier decision that the British-born rapper is a legal U.S. resident.


Slick Rick won an initial bout with the INS in 1995, which allowed him to stay in the country upon his release from prison. However, the INS overturned that decision in 1997. According to the rapper´s lawyer, he was never notified of the decision.


The rapper was found guilty of second-degree attempted murder in 1991 for shooting his cousin, and he served five years and 12 days in prison. U.S. Federal law states that any non-citizen who serves more than five years in prison must be deported. This law, which hit the books in 1996, was applied retroactively in Slick Rick´s case.


Slick Rick, who was born in London, was arrested on June 1, 2002, after attempting to return to the United States following a performance on a cruise hosted by popular radio host Tom Joyner.


For Slick Rick it was a long week waiting for his release following the judge´s decision. The rapper told MTV.com, "There was a lot of anxiety. You don´t know if it´s going to be this day, this hour. It´s been a week since the judge granted me permission, so there´s been a lot of butterflies in my stomach, you might say."


Upon his release, the rapper drove to Fort Lauderdale with his attorney to catch a flight to his Bronx, New York home.


Slick Rick´s last release was 1999´s gold-certified the Art Of Storytelling. The rapper´s best-seller to date was 1988´s platinum-certified the Great Adventures Of Slick Rick.

:-]

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