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Topics - MaddStone

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391
General Discussion / Rap and Hip Hop Guide.....
« on: December 06, 2004, 07:10:00 AM »
A pretty useful link to some interviews, new releases and the like.Check it out.I found it useful.

http://rap.about.com/" TARGET="_blank">Rap/Hip Hop Guide

392
Hip Hop Events / @ Syntactic!!!
« on: December 06, 2004, 02:27:00 AM »
Check ur PM´s my good man.What thinketh or sayeth thee?

393
Producers - Discussion / Cool & Dre: The New Neptunes
« on: December 05, 2004, 11:11:00 PM »
Found this interesting interview with this production duo.They doing their thing and making moves.I like their vibe.Pretty cool:

Fame and fortune have finally caught up with Cool & Dre, the
Miami-based production duo usually a**ociated with Fat Joe -- until now.
Sure, they executive-produced Crack´s latest solo release, Things Of That Nature, but they also have their own imprint, Epidemic Music with their own artists, Dirtbag and Tony Sunshine and have been crafting new hits for everyone from Joe Budden and Ginuwine to Trina and Mase. They are the official beatmakers for NBA Live 2005 and own a restaurant in South Beach. Ah, the good life!

Do you feel that your Ja Rule record, "New York" has changed your status as producers?
Cool: We´ve been bubbling in the game for a minute now.
Dre: We´ve always been the next guys. For three years we´ve been making beats to satisfy what people want to hear instead of being able to give them what me and Cool want to. The Ja Rule record is our sound. The fact that we´re from Miami and we wrote that hook for him and did the beat. For us to give him that record that made him that much more relevant. This record is such a big look for him. But Ja Rule and Irv gave us a look on The Last Temptation. We did the track "Destiny." They always showed us love. Now we´re feeling like finally Cool and Dre have arrived.
We made news when we did the Dirtbag deal. A $2 million label deal in a time when no one´s getting that kind of money. We had Interscope, Shady, Def Jam, Atlantic and Jive [courting us]. And for us to be in the game for 2-3 years, everyone said we´ve accomplished so much in so little time for producers without hit records. Finally, we got an opportunity to put our sound out there and it´s been received so well. The confidence it gives you as a producer. Cool always used to say I pity the producer who makes a hit record off of a fluke.

How come you chose to sign with Jive?
Dre: Dirtbag was in love with Chris Lighty. He was feeling Chris Lighty. We met with Paul Rosenberg. We met with Chris Lighty. Dirtbag liked his vibe. Our people from Jive reached out to me and Cool and put a crazy deal on the table, and when Dirtbag found out Jive was Chris Lighty, he said let´s go there.

Tell me about your imprint, Epidemic Music.
Dre: Dirtbag is our most important priority. Getting that off the ground. Tony Sunshine is priority #1 too. But our whole deal was on the strength of Dirtbag. He has a single we produced, "Slow Down Little Buddy." He has production by Jazze Pha, David Banner, features with Young Buck, Devin The Dude, Fat Joe, Trick Daddy. Then we´re going to come with Tony Sunshine. His first single is produced by Scott Storch and Lil´ Jon. We executive produced Fat Joe´s latest. Remy Martin. We did a record on Game´s album with 50. We did two records on Mase´s next album. Murda Mase is back.

How did you hook up with Fat Joe?
Cool: Our friend said Fat Joe was looking for some beats for his new album J.O.S.E. So me and Dre put together all the beats we had, like 60 on one CD. Our friend told us that while R. Kelly was recording the vocals to "We Thuggin," it was takin´ forever, so Joe put in our CD.
Dre: Our friend told us to give him Down South tracks. So tracks 1-27 were nothing but Down South beats. Then we put the "King Of New York" beat on there. So hearing that beat after 27 Down South beats, that beat sounded amazing.
Cool: Joe drove down to Miami to meet us. He couldn´t believe we were from Miami. He recorded it with us. Every time he came to Miami we would hang out and we got real close. Through being with Joe in the studio, that´s how we hooked up with a lot of other people. The music speaks for itself.
Dre: Our personality, we´re blessed. We don´t dick nobody over. The fact that we´re good dudes, we got close to Joe. If me and Cool were shady, I don´t think our relationship with Joe would have popped off. A lot of people like to vibe with us. They like our energy. I think our personalities have a lot to do with us being successful. We´re good guys. We´re on time to the studio. And we have good beats and we´re on the grind.

How did you guys get your start?
Dre: We sang in a group and nobody was trying to make our beats. That´s part of what made me and Cool make beats. The group broke up. And me and Cool kept producing. We had our own little act that we were trying to jump off. We were trying to emulate Organized Noize the way they put out OutKast, Goodie Mob and all those people. They were huge influences on us. Sleepy Brown He´s the guy that really put that falsetto into hip-hop. A lot of people mistake it for other people. He doesn´t get credit for it. We get comparisons to the Neptunes. We´re huge fans of them. It´s a great compliment. Some people think we bite, but really our inspiration is Organized Noize.

Where do you think your entrepreneurial spirit comes from?
Cool: Me and Dre have been through so much in this music business. That whole independent label stuff in Miami. Promoting our own records. Going to the clubs, getting DJs to try to play them. Doing our own graphics for the CD. We´ve been through every step.
Dre: Cool couldn´t work for nobody. I had 9 to 5s. Cool has never worked for anyone in his entire life.

What´s next?
Dre: Now we have to make sure we don´t run something into the ground. We move with it, make it hot and then go left and take it to a new place. We have to innovate and come with something new. Timbaland did it, the Neptunes, Kanye, Swizz. Our main mission right now, and biggest challenge is to keep this high beam on us. Keep ´em following us.



394
Producers - Discussion / Ready D website!!!
« on: December 05, 2004, 10:23:00 PM »
Just thought I´d hit peeps off with the link to DJ Ready D´s official website, so peeps can see what he´s up to and what´s happening in the life of the man, musically.For those that know the link already, all good.But for those that did not know he had a home page, check it out.Worth a glimpse.

http://www.djreadyd.com/index.php" TARGET="_blank">Ready D Website

395
Media / Hotness I say.....purely!!!
« on: December 05, 2004, 05:23:00 AM »
Man, lets sell a couple of million albums and do this conversion on the new 2.0 FSI Golf.Too nice man.

http://www.wheels24.co.za/Images/Photos/20041122080539Golf_GTI_ABT.jpg">

Just a little info on this here baby girl:

German specialist tuning company Abt developed a more potent version of the Golf boosting the 2.0-litre FSI unit´s power output significantly. Thanks to Abt the car´s output is up from 147 kW to 170 kW, while torque is a whopping 310 Nm. The Abt version of the GTI also features a special body kit and the car has an even more aggressive look with racy bumpers and wing-type doors.
:-]  :-]  :-]

I likes.

396
Media / Warning: SA is becoming another Thailand
« on: December 05, 2004, 04:55:00 AM »
I saw this and had to share it with peeps.This is just getting sicker and sicker by the day.Undercover ops gotta get to the heart of this matter:

South Africa is competing with Thailand in the child-sex trade. Thousands of our children are being forced into prostitution in major cities such as Cape Town, Johannesburg, Port Elizabeth and Durban.

The recently exposed child prostitution ring run by Nigerians is the tip of the iceberg. South Africa now risks becoming synonymous with child prostitution as has happened to Thailand, experts warned this week.

They say children are being trafficked around the country, many ending up in the Western Cape from other parts of the country. And many more South African children are being subjected to sexual abuse.

At least 3 000 children in rural and urban areas have been counselled by Childline for sexual abuse. Another 3 000 have telephoned Childline this year about sexual abuse.

Childcare organisations have appealed to parents to be extra vigilant during the holidays when millions of children are often left unsupervised or in the care of others. It is believed that 61 percent of South Africa´s millions of children are living in poverty.

The people who traffic in or abuse children are often parents, relatives and teachers who exploit them for sexual pleasure or financial gain.

Joan van Niekerk, the national co-ordinator of Childline, alleged in a frank interview that many of the young girls who had been freed from the clutches of a Nigerian child sex ring last month, had already returned to the streets.

"We are in a terrible state as far as child abuse is concerned. We have some of the highest statistics in the world." She said the government was "in denial" about the seriousness of the situation and that the police´s child protection unit was severely under-resourced.

Van Niekerk recently wrote an open letter to President Thabo Mbeki in which she responded to a verbal attack by police spokesperson Selby Bokaba, who castigated the childcare organisation for questioning official police statistics on child abuse.

The statistics for 2003 included claims that 21 620 children, from babies to teenagers of 18, had been raped and that 24 188 had been seriously a**aulted. Van Niekerk said these figures did not include indecent a**ault on children.

"Indecent a**ault can, in its present legal definition in South Africa, include anal and oral sexual penetration of children in an abusive situation and, if these figures were included in Mr Bokaba´s statistics, would considerably increase the official child abuse statistics," she said.

She said it was difficult to verify the accuracy of statistics because the police only reported those cases they opened dockets for and not each case that was laid by a child abuse victim.

Recent statistics from the Network Against Child Labour revealed that of the 400 000 child labourers in South Africa, more than 247 900 children were involved in so-called "exploitative labour", including prostitution.

Other statistics showed there were 40 000 child prostitutes in South Africa, up from an estimated 28 000 in 2000. Van Niekerk said: "The problem is, we don´t know how many child prostitutes there are. Child prostitutes are concealed from public view."

She said once a "client" got to know an escort agency or pimp, he was likely to be given access to children. Van Niekerk said her organisation handed a report to the police five years ago on the involvement of Nigerian crime syndicates in under-age prostitution.

Molo Songololo, a non-governmental organisation that has been studying the trafficking of children, said this week South Africa was under threat of becoming a second Thailand.

Several sources identified the trafficking of children from KwaZulu-Natal to Gauteng and the Western Cape and from the Eastern Cape to Gauteng and the Western Cape.

If this is a fair reflection of the inter-provincial traffic in children, then it would be reasonable to a**ume that Gauteng and the Western Cape are provinces of destination and the Eastern Cape and KwaZulu-Natal are provinces of origin (of child prostitutes).

However, the most common trafficking routes, according to Molo Songololo, are those that do not need long distances to travel. They include the trafficking from informal settlements to the northern suburbs of Johannesburg and in gang-infested areas like Mitchells Plain.

Deborah Mobilyn of Molo Songololo said efforts to fight trafficking included establishment of a task team comprising the government, her organisation and international groups. A provision has also been included in the Sexual Offences Bill which criminalised human trafficking for sexual purposes.

South Africa had also recently signed and ratified an international protocol on human trafficking.


U gotta stop and wonder what goes thru, or rather doesnt go thru, these ppl´s minds when they do this.I mean, exploitation its kinda thought to be a medieval type of thing, but damn.........this stuff is happening right under our noses and we dont even know about it.Especially those like us in the Western Cape.

397
Hip Hop Events / Syntactic - Live Concert on Radio???
« on: December 05, 2004, 01:11:00 AM »
Hey Syntactic

I called Wes today and he mentioned that he´s prepping for this live concert thats likely to happen on the Home Brew, I think next week.Is this coming of on live Radio?Hit me off on that my good man.

Btw, I info´d Hipe that we can arrange something to link up next week.Ed also wants to link again so we can arrange something for that too.Btw, was thinking maybe Tuesday afternoon, like we did last time, or maybe the weekend.What u think?

398
General Discussion / A Beat That Goes On...
« on: December 04, 2004, 11:12:00 PM »
I found this and I thought I´d share it with peeps.Short and interesting read, I think.In a single sample, the story of hip-hop:

Hip-hop 1977


D.J. Kool Herc is known as the Godfather of Hip-Hop, but he didn’t earn his title playing rap records. Beginning in the mid-seventies and stretching through the end of the decade, Herc spun Afro-funk (Manu Dibango’s “Soul Makossa”), bizarro psychedelia (New Birth’s “Got to Get a Knutt”), and, most famously, “Apache,” a jazz-funk record from a Vancouver-based group called the Incredible Bongo Band, on his mighty, floor-shaking sound system in the Bronx.


This was hip-hop in the days before the emcee took center stage: completely boundless and as geeky as the clerks in High Fidelity. Notepads in hand, aspiring D.J.’s and producers like Prince Paul and Pete Rock flocked to parties thrown by Herc and Afrika Bambaataa not to sing along to familiar anthems but to listen and wonder: What the f*** is he gonna play next? The records spun by Herc and Bambaataa became not just “cla**ics” but the sonic backbone for hip-hop, songs sampled with the frequency of a teenager quoting Austin Powers.


“Herc played ‘Apache’ at one of the Bronx River Projects parties in 1977,” remembers Rock, whose jazzy, moody “T.R.O.Y. (They Reminisce Over You)” is considered one of hip-hop’s most glorious beatscapes. “I was just 7 years old, but I fell in love with the song immediately. It’s one of those records that never leave your brain.” Rock was far from alone in his “Apache” adoration: The record was once so difficult to find that bootleggers made a killing selling illicit vinyl copies on the Bronx’s mean streets.


Since then, “Apache” has been recycled by the Sugarhill Gang (who covered it in 1981 and added a silly chorus: “Kemosabe! Jump on it!”) and, more recently, Nas, on his fierce comeback tune “Made You Look.” It is unrivaled in its influence on hip-hop by any twelve-inch on record-store shelves. “If you don’t know ‘Apache,’ ” Rock says, “you don’t know hip-hop.”


“I always wanted to sample ‘Apache,’ ” confesses Salaam Remi, producer of “Made You Look,” “but I knew that if I was going to use it, I had to step it up ten notches or not do it at all.” At first, Remi experimented with speeding up the exhaustingly extended percussion and editing out specific bits of the song’s spaghetti-western-styled guitar licks. Finally, he settled on a back-to-basics approach. “The drums on ‘Apache’ sound so aggressive that I just slowed them down,” Remi says. “Doing that made the record sound a lot more gangsta.”


More important, “Apache” is inspiring hip-hop producers too young to remember the record’s mid-seventies heyday. “Most of my generation hasn’t even heard the original,” Remi says. “We know ‘Apache’ through records that have sampled it.” Indeed, producer Just Blaze, who has crafted hits for Jay-Z, Cam’ron, and DMX, says that he first encountered “Apache” through a mix tape from D.J. Jazzy Jeff in the late eighties. “When I heard Jazzy Jeff mix ‘Apache,’ ” he remembers, “I thought, This is what I want to do with my life.”


399
Traders / Studio Sound Cards less than R1000?
« on: December 04, 2004, 09:12:00 PM »
hey peeps, anyone know where in Cape Town I could pick up a 24/96 studio sound card for under R1000?

It could be brand new or slightly used too.When I say slightly used, I mean it must be from peeps that look well after their stuff.Especially interested in the E-mu 0404 card, Audiotrak Maya 44 MKII as well as the M-Audio Audiophile 2496.Hit me up on this if anything.


´There is no such thing as total originality´ - Jane Howard

"Don´t Hate, Rather Debate" - Mykh-ill Angel-oH

“I’m not a star, and I don’t want to be a star. Stars fall. I’m an entertainer, a performer" - Bernie Mac


[ This message was edited by: MaddStone on 04-12-2004 13:14 ]

400
General Discussion / This is just for u closet fans out there.......
« on: December 04, 2004, 09:01:00 PM »
I hit u up with this link to one of the best dudes out there, that u heads just wont admit to luving man.Come now, just admit it for once. :-]

http://www.heinzw.co.za/index.html?lf=1;pg=2" TARGET="_blank">Number 1

U cant stop the faaaiiiiii--jaaaaaaaa. :-o

401
Hot Traxxx / Snoop - Drop it like its hot!!!
« on: December 03, 2004, 10:33:00 PM »
What u peeps think of this song?U feeling it or not?I am still divided.Think a few more listens and then I may vibe really with it.I still Beautiful is a much better song on a whole though.Funny, Beautiful got to number 6 on Billboard, but this new one is currently number 1.Weird.

ANyways, to those that are not familiar, I think this link works:

http://www-scf.usc.edu/~jasonfan/Snoop%20Dogg%20ft.%20Pharrel%20~%20Drop%20It%20Like%20Its%20Hot.mp3" TARGET="_blank">Snoop and Pharrel - Drop it like its hot


Btw, am I one of the few that think Pharrel looks like some dude that could be the "slapgat" that always walks past your house, living in Belhar and always rolling with his overdressed buddy Nelly, who incidently is a native of Bellville South.Keep it all real, nog wans.

402
General Discussion / Barcodes for CD´s?
« on: December 03, 2004, 02:02:00 AM »
So here I am contemplating this question: How does one get the barcodes that the stores request for your cd´s?

I am kinda asking the peeps out there, does one just design a barcode on Photoshop or something and print it along with the cover?Also, does it have to have specific numbering on it and all?If anyone knows, please do info.I, along with others, am really interested in this aspect of the cd´s.Could end up being a big stumbling block when ur looking to get stuff to stores.

Oh and I see, now with this post, I´m gonna be hitting 900.Its been a kwik one from 800 to 900.I´m luving it.Oh yeah.Much luv my peeps and please do aid in this request, if u can, regarding the barcoding.



403
Media / Exploding Cell Phones
« on: December 02, 2004, 07:53:00 PM »
This in the US though, but I think its always good to be cautious and aware of things happening in the world:


A US watchdog is concerned about the increasing number of exploding mobile phones that have been injuring Americans over the last two years. According to figures released by the Consumer Product Safety Commission more than 83 mobiles have either exploded or caught fire causing injury in the last two years. That would nearly be three and a half going up in smoke a month. Some of the injuries have been fairly nasty. Burns to the face, neck, hip and legs have all been reported. The main problem is dodgy batteries and there have been three voluntary battery recalls.

However the phone manufacturers say that most of the exploding batteries are those which have been made by counterfeiters. Although if they didn´t make replacement batteries so expensive then the counterfeiters would not be able to peddle their dodgy wares.

But some groups, like the Wireless Consumers Alliance, think it is because the phone designers are stacking too much power into a small space. This creates more heat that can´t be vented, sometimes as high as 600 degrees and this creates an explosive effect. To be fair there are more than 170 million people use mobiles in the US so per capita the number of exploding phones is small.

404
General Discussion / BIGGER Capacity DVD´s on the way
« on: December 02, 2004, 07:48:00 PM »
The way things r going, its gonna be some niceness regarding capacity and all.Cant wait to get the DVD-R´s of these sizes when they eventually come out.By then we´ll probably be chilling with 600GB standard HDD´s.Likely.Peep the article below:


Warner, Paramount, Universal and New Line Cinema have all agreed to issue movies in the upcoming HD DVD format, the disc´s co-creator, Toshiba, said. The four represent 45 per cent of the major studios´ DVD output in the US, the Japanese giant said. Pre-recorded HD DVDs are at least a year away, but with Sony aggressively pushing its rival high-capacity optical disc format, Blu-ray, Toshiba clearly feels it has to follow suit.

Both technologies boost the capacity of the 12cm disc by using a blue laser to read the data off the carrier rather than the red laser today´s DVD systems use. Blue light´s shorter wavelength means that the ´spots´ on the disc´s surface used to encode digital data can be smaller. In turn, smaller spots means more of them in a given area - a higher capacity, in other words.

Blu-ray wins on the capacity front, offering 25GB on a single-layer disc to HD DVD´s 20GB and a more aggressive roadmap to increase that capacity over time. The downside is the need for entirely new disc production lines. HD DVD, by contrast, only needs existing DVD pressing rigs to be retooled rather than replaced. It also has the strength of the DVD brand, which has been very strongly pushed to consumers over the last seven years or so.

And now the format has clear studio backing. But so does Blu-ray, with Sony almost certainly offering content on the medium, and possibly MGM - recently acquired by Sony - and 20th Century Fox, too



405
Traders / Records Tip off
« on: December 02, 2004, 06:11:00 PM »
Hey peeps.Not sure if this is really a worthy piece of info but I was info´d bout peeps in Cape Town selling records on 78´s of cla**ics and pop from 30´s and 40´s for something like under R10.

Will just check again and see what the contact number of these peeps r.What y´all think.Worth a look into?

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